Thunder Island (ePub)
Nash connected the battery terminals. The green light glowed dully. He threw a switch and the light turned to red. Mouthing a silent prayer he pushed the button. The red light went out.
No...
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"Do it now!" said Khan, his voice little more than a whisper.
Nash connected the battery terminals. The green light glowed dully. He threw a switch and the light turned to red. Mouthing a silent prayer he pushed the button. The red light went out.
No smoke or flames were visible but the sound of the distant explosions rumbled over the land scape like the approach of doom. Nash slid his right hand under his jacket and grasped his gun. Khan was talking excitedly, oblivious to what must happen next.
Greed, intrigue and triple-cross; the component parts of disaster. Gilby Nash, demolition expert extraordinary, reaches for a glittering prize on a sun-soaked island where the bullet and the knife are never far away. Greed, intrigue and triple-cross, the component parts of disaster, follow him like a spectre.
He learned the mechanics of his original trade with the Staff Band of the
Royal Engineers and at Kneller Hall School of Music. Moving directly to London,
he occupied the lead alto chair with several big bands, whilst jazzing at many
nightspots; most notably ; The "100 Club", Oxford Street; the "Allnighter", Soho
and "The Bull's Head" at Barnes. At these and other venues he blew jazz
shoulder-to-shoulder with Vic Ash, Harry Klein, Brian Dee, Joe Temperley.
One of his enduring memories of those heady be-bob days is of swapping "fours" with the legendary vibraphonist Vic
Feldman immediately prior to his moving to the U.S. to join the Woody Herman
Orchestra.
Latterly, he was one of Charlie Katz's "session men", performing on numerous
"hit" (and "not-so-hit") recordings of the day. Later, he worked directly
for several recording companies: Decca, H.M.V., Major-Minor, Philips etc.
holding the "Artists and Repertoire" position with most. With Mercury records,
he fronted various stage bands on promotional tours across Europe and the Far
East, working alongside rising stars of the recording world, Phil Coulter and
Mike Leander. On the demise of viable big band work worldwide, Larry -
along with many of his contemporaries - joined "Geraldo's Navy", and would cross
the Atlantic many times - on both "Queens" - haunting the New York jazz
scene...For many years to come, during "dry" periods, he would utilise this
"jewel" of an employment facility, both for the pocket
The music trade being what it is (was!) the daylight hours were more or less free...and there are only so many hours you can sit by the pool working of your tan!
So Larry started writing and painting.
His seascapes are sold around the world. When not writing, painting, performing
- Autor: Larry Johns
- 2018, Englisch
- Verlag: Larry Johns
- ISBN-10: 1386382132
- ISBN-13: 9781386382133
- Erscheinungsdatum: 13.09.2018
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- Dateiformat: ePub
- Größe: 0.30 MB
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