World Cinema through Global Genres (ePub)
(Sprache: Englisch)
World Cinema through Global Genres introduces the complex
forces of global filmmaking using the popular concept of film
genre. The cluster-based organization allows students to acquire a
clear understanding of core issues that apply to all films...
forces of global filmmaking using the popular concept of film
genre. The cluster-based organization allows students to acquire a
clear understanding of core issues that apply to all films...
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World Cinema through Global Genres introduces the complex
forces of global filmmaking using the popular concept of film
genre. The cluster-based organization allows students to acquire a
clear understanding of core issues that apply to all films around
the world.
* Innovative pedagogical approach that uses genres to teach the
more unfamiliar subject of world cinema
* A cluster-based organization provides a solid framework for
students to acquire a sharper understanding of core issues that
apply to all films around the world
* A "deep focus" section in each chapter gives
students information and insights about important regions of
filmmaking (India, China, Japan, and Latin America) that tend to be
underrepresented in world cinema classes
* Case studies allow students to focus on important and
accessible individual films that exemplify significant traditions
and trends
* A strong foundation chapter reviews key concepts and vocabulary
for understanding film as an art form, a technology, a business, an
index of culture, a social barometer, and a political force.
* The engaging style and organization of the book make it a
compelling text for both world cinema and film genre courses
forces of global filmmaking using the popular concept of film
genre. The cluster-based organization allows students to acquire a
clear understanding of core issues that apply to all films around
the world.
* Innovative pedagogical approach that uses genres to teach the
more unfamiliar subject of world cinema
* A cluster-based organization provides a solid framework for
students to acquire a sharper understanding of core issues that
apply to all films around the world
* A "deep focus" section in each chapter gives
students information and insights about important regions of
filmmaking (India, China, Japan, and Latin America) that tend to be
underrepresented in world cinema classes
* Case studies allow students to focus on important and
accessible individual films that exemplify significant traditions
and trends
* A strong foundation chapter reviews key concepts and vocabulary
for understanding film as an art form, a technology, a business, an
index of culture, a social barometer, and a political force.
* The engaging style and organization of the book make it a
compelling text for both world cinema and film genre courses
Autoren-Porträt von William V. Costanzo
William V. Costanzo is a SUNY Distinguished Teaching Professor of English and Film at Westchester Community College in Valhalla, New York, where he teaches courses in writing, literature, and film studies. Dr. Costanzo has previously published five books on film, writing, and computers, including Reading the Movies (1992), Great Films and How to Teach Them (2004), and The Writer's Eye (2008). He currently serves on the Society for Cinema and Media Studies Teaching Committee.
Bibliographische Angaben
- Autor: William V. Costanzo
- 2013, 1. Auflage, 464 Seiten, Englisch
- Verlag: John Wiley & Sons
- ISBN-10: 1118713109
- ISBN-13: 9781118713105
- Erscheinungsdatum: 02.12.2013
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eBook Informationen
- Dateiformat: ePub
- Größe: 7.05 MB
- Mit Kopierschutz
Sprache:
Englisch
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