A Companion to Film Theory
(Sprache: Englisch)
Provides a major collection of specially commissioned work by experts in the field of film studies.Represents material under a variety of headings, including class, race, gender, queer theory, nation, stars, ethnography, authorship, and spectatorship.
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Provides a major collection of specially commissioned work by experts in the field of film studies.Represents material under a variety of headings, including class, race, gender, queer theory, nation, stars, ethnography, authorship, and spectatorship.
Klappentext zu „A Companion to Film Theory “
This volume of specially commissioned work by experts in the field of film studies provides a comprehensive overview of the field. Its international and interdisciplinary approach will have a broad appeal to those interested in this multifaceted subject.Provides a major collection of specially commissioned work by experts in the field of film studies.
Represents material under a variety of headings, including class, race, gender, queer theory, nation, stars, ethnography, authorship, and spectatorship.
Offers an international approach to the subject, including coverage of topics such as genre, image, sound, editing, culture industries, early cinema, classical Hollywood, and TV relations and technology.
Includes concise chapter-by-chapter accounts of the background and current approaches to each topic, followed by a prognostication on the future.
Considers cinema studies in relation to other forms of knowledge, such as critical studies, anthropology, and literature.
Inhaltsverzeichnis zu „A Companion to Film Theory “
1. Introduction: Toby Miller.2. Authorship: James Naremore.3. Genre: Sarah Berry.4. Enunciation and Narration: André Gaudreault and François Jost.5. Film Editing: Lucy Fischer.6. Film Semiotics: Warren Buckland.7. Cognitivism: Greg Currie.8. Psychoanalysis: Richard Allen.9. Spectatorship and Subjectivity: E. Deidre Pribram.10. Laura Mulvey Meets Cathrine Tramell Meets the She-Man: Counter-History, Reclamation, and Incongruity in Lesbian, Gay, and Queer Film and Media Criticism: Julia Erhart.11. Is There Class in this Text?: The Repression of Class in Film and Cultural Studies : David James.12. Culture Industries: Douglas Kellner.13. The Political Economy of Film: Janet Wasko.14. The Work of Theory in the Age of Digital Transformation: Henry Jenkins.15. Cultural Exchange: Tom O Regan.16. Anthropology for the World: Mass Media: Faye Ginsburg.17. Psycho s Bad Timing: The Sensual Obsessions of Film Theory: Toby Miller.18. Historical Allegory: Ismail Xavier.19. Every Picture Tells a Story: José Guadalupe Posada s Photocinematic Graphic Art: Charles Ramirez Berg.20. On "Historical Poetics," Narrative, and Interpretation: Ira Bhaskar.Index.
Autoren-Porträt von Miller, Stam
Toby Miller is Professor in the Cinema Studies Department at New York University. He is the author or editor of a wide range of work in cultural studies, including A Companion to Cultural Studies (Ed. Blackwell Publishing, 2001), Technologies of Truth (1998) and (with Alec McHoul) Popular Culture and Everyday Life (1998). He is also co--editor of the journal Social Text and (with Robert Stam) co--editor of Film and Theory: An Anthology (Blackwell Publishing, 2000). Robert Stam is Professor in the Cinema Studies Department at New York University. His many books include Film Theory: An Introduction (Blackwell Publishing, 1999); Tropical Multiculturalism: A Comparative History of Race in Brazilian Cinema and Culture (1997); Unthinking Eurocentrism: Multiculturalism and the Media, with Ella Shohat (1994), which won the Katherine Singer Kovocs "Best Film Book Award"; and Subversive Pleasures: Bakhtin, Cultural Criticism, and Film (1992). He is also co--editor (with Toby Miller) of Film and Theory: An Anthology (Blackwell Publishing, 2000).
Rezension zu „A Companion to Film Theory “
"A vital contribution to contemporary studies in film and culture." Journal of Film and Video <!----end----> "[Offers] new and diverse directions which film theory can and must address ! pivotal." Scope: The Online Journal of Film Studies
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