Boondock Kollage
Stories from the Hip Hop South
(Sprache: Englisch)
Boondock Kollage: Stories from the Hip Hop South is a collection of twelve short stories addressing issues of race, place, and identity in the South.
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Produktdetails
Produktinformationen zu „Boondock Kollage “
Boondock Kollage: Stories from the Hip Hop South is a collection of twelve short stories addressing issues of race, place, and identity in the South.
Klappentext zu „Boondock Kollage “
Boondock Kollage: Stories from the Hip Hop South is a collection of twelve short stories that addresses issues of race, place, and identity in the post-Civil Rights American South. Using historical, spectral, and hip hop infused fiction, Boondock Kollage critically engages readers to question the intersections of regionalism and black culture in current American society.
Inhaltsverzeichnis zu „Boondock Kollage “
Kiese Laymon: Foreword - Prologue: Reckoning - Acknowledgments - Part One: Reaching Back Around - A Visitation from Grace - Intentions - Between the Hedges - Good Bleach - Part Two: Long Division - Beautiful Ones - Happy Feelins - Splish-Splash - Skin Carnival - As Above So Below - Part Three: Stitches in Time - The Apothecary - Moving Furniture - Some Kind of Wonderful (Illustrated by John Jennings and Stacey Robinson) - Discussion Question Bank.
Autoren-Porträt von Regina N. Bradley
Regina N. Bradley is Assistant Professor of African American Literature at Armstrong State University and an alumna Nasir Jones Hiphop Fellow at Harvard University. She can be reached at www.redclayscholar.com.
Bibliographische Angaben
- Autor: Regina N. Bradley
- 2017, Neuausgabe, XXII, 140 Seiten, 6 Abbildungen, Maße: 15 x 22,5 cm, Kartoniert (TB), Englisch
- Verlag: Peter Lang Ltd. International Academic Publishers
- ISBN-10: 1433133032
- ISBN-13: 9781433133039
- Erscheinungsdatum: 27.04.2017
Sprache:
Englisch
Pressezitat
"Boondock Kollage is an intricate collection of stories that will be new yet deeply familiar to any reader. These tales are new because they take place in rural Georgia, in a specific tree and lake studded landscape peopled with small, particular communities; they are familiar because the characters that people this place, with their wide, sloped shoulders, their intricate wigs, the way they shuffle and joke and comfort and misunderstand and shore each other up, are achingly human. In Bradley's hands, these varied pieces cohere into a deeply compelling, moving work of art. This collection will be deeply satisfying for the reader who wants to experience the full range of human emotion, who wants to feel fear, triumph, bone-deep sadness, and bright joy, because this author does it all." Jesmyn Ward, Associate Professor of English, Tulane University; author of Men We Reaped and Salvage the Bones
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