Camelot
The epic new novel from the author of Lancelot
(Sprache: Englisch)
However, two strangers - the wild-spirited, Saxon-killing Iselle and the ageing warrior Gawain - will pluck him from his sheltered existence and his world will be turned upside down. Together they will go in search of the last druid, to find the cauldron of...
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However, two strangers - the wild-spirited, Saxon-killing Iselle and the ageing warrior Gawain - will pluck him from his sheltered existence and his world will be turned upside down. Together they will go in search of the last druid, to find the cauldron of a god, and to raise an army to hold the darkness at bay.
Autoren-Porträt von Giles Kristian
Family history (he is half Norwegian) and a passion for the fiction of Bernard Cornwell inspired GILES KRISTIAN to write. Set in the Viking world, his bestselling 'Raven' and 'The Rise of Sigurd' trilogies have been acclaimed by his peers, reviewers and readers alike. In The Bleeding Land and Brothers' Fury, he tells the story of a family torn apart by the English Civil War. He also co-wrote Wilbur Smith's No.1 bestseller, Golden Lion. His contemporary survival thriller, Where Blood Runs Cold, won the Wilbur Smith Adventure Writing Prize. With his Sunday Times bestseller Lancelot, Giles plunged into the rich waters of the Arthurian legend. His epic reimagining of our greatest island 'history' continued in Camelot and draws to a breath-taking close with Arthur. Giles Kristian lives in Leicestershire.
To find out more, visit www.glieskristian.com. You can follow him on X @GilesKristian and Facebook/Giles Kristian
Bibliographische Angaben
- Autor: Giles Kristian
- 2021, 608 Seiten, Maße: 12,6 x 19,6 cm, Kartoniert (TB), Englisch
- Verlag: Corgi
- ISBN-10: 0552174017
- ISBN-13: 9780552174015
- Erscheinungsdatum: 16.06.2021
Sprache:
Englisch
Pressezitat
This the second volume in Giles Kristian's retelling of the Arthurian legend which started with the superb Lancelot. Kristian has created a powerful, dark vision of Arthur's Britain, where magic has its limits and the worst monsters are human. Antonia Senior THE TIMES
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