Colorblind Shakespeare
New Perspectives on Race and Performance
(Sprache: Englisch)
This collection of fourteen original essays explores both the production history of colorblind casting in cultural terms and the theoretical implications of this practice for reading Shakespeare in a contemporary context.
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Produktinformationen zu „Colorblind Shakespeare “
This collection of fourteen original essays explores both the production history of colorblind casting in cultural terms and the theoretical implications of this practice for reading Shakespeare in a contemporary context.
Klappentext zu „Colorblind Shakespeare “
The systematic practice of non-traditional or "colorblind" casting began with Joseph Papp's New York Shakespeare Festival in the 1950s. Although colorblind casting has been practiced for half a century now, it still inspires vehement controversy and debate.This collection of fourteen original essays explores both the production history of colorblind casting in cultural terms and the theoretical implications of this practice for reading Shakespeare in a contemporary context.
Inhaltsverzeichnis zu „Colorblind Shakespeare “
Foreword. Section 1: The Semiotics of (Not) Viewing Race Section 2: Practicing Colorblindness: The Players Speak Section 3: Future Possibilities/Future DirectionS Afterword: The Blind Side in Colorblind Casting. Notes on Contributors. Index
Autoren-Porträt von Ayanna Thompson
Ayanna Thompson is Assistant Professor of English and Women's Studies at Arizona State University.
Bibliographische Angaben
- Autor: Ayanna Thompson
- 2006, 280 Seiten, 21 Schwarz-Weiß-Abbildungen, Maße: 22,9 cm, Kartoniert (TB), Englisch
- Herausgegeben: Ayanna Thompson
- Verlag: Routledge
- ISBN-10: 0415978025
- ISBN-13: 9780415978026
Sprache:
Englisch
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