Duchamp and the Aesthetics of Chance: Art as Experiment
(Sprache: Englisch)
Originally published: Kunst als Experiment: Marcel Duchamps "3 Kunststopf-Normalmasse." Munich: Deutscher Kunstverlag, 2006.
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Produktinformationen zu „Duchamp and the Aesthetics of Chance: Art as Experiment “
Originally published: Kunst als Experiment: Marcel Duchamps "3 Kunststopf-Normalmasse." Munich: Deutscher Kunstverlag, 2006.
Inhaltsverzeichnis zu „Duchamp and the Aesthetics of Chance: Art as Experiment “
List of IllustrationsIntroduction1. The Idea of the Fabrication2. The 3 Standard Stoppages in the Context of the Large Glass3. The 3 Standard Stoppages as Paintings4. 1936: Duchamp Transforms the Painting Into an Experimental Setup5. Humorous Application of Non-Euclidean Geometry6. The Crisis of the Scientific Concept of Truth7. Pataphysics, Chance, and the Aesthetics of the Possible8. Radical IndividualismNotesBibliographyIndex
Autoren-Porträt von Herbert Molderings
Herbert Molderings is professor of art history at the Ruhr-University Bochum, Germany. The author of eleven books, he specializes in the history of modern and contemporary art, European photography of the twentieth century, and the works of Marcel Duchamp, Man Ray, Lászlo Moholy-Nagy, and Umbo. He lives in Cologne and Paris. John Brogden lives in Dortmund, Germany, and specializes in the translation of art historical subjects.
Bibliographische Angaben
- Autor: Herbert Molderings
- Altersempfehlung: Ab 22 Jahre
- 2010, 214 Seiten, Maße: 14,2 x 21,1 cm, Gebunden, Englisch
- Übersetzer: John Brogden
- Verlag: COLUMBIA UNIV PR
- ISBN-10: 0231147627
- ISBN-13: 9780231147620
Sprache:
Englisch
Rezension zu „Duchamp and the Aesthetics of Chance: Art as Experiment “
"This is one of those rare studies which, by exhaustively treating one key work, puts into new perspective an artist's entire oeuvre. More than that, in a period when art-historical discussions are highly theory-oriented, though often at the expense of basic research, Herbert Molderings has undertaken an exceptionally well-balanced investigation in which a new and painstakingly accurate evaluation of the material and historical evidence translates into a brilliant exposition of the philosophical ramifications of this evidence." ¿ Ulrich Keller, University of California, Santa Barbara
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