Elizabeth Gaskell and the Art of the Short Story

Contents: Alan Shelston: Exploring the boundaries in Elizabeth Gaskell's shorter fiction - Ian Campbell: Chains of our own forging: Gaskell and a search for freedom - Massimo Verzella: Tracing the linguistic fingerprints of the Unitarian ethos: A corpus-based study of Elizabeth Gaskell's short stories - Mariaconcetta Costantini: Elizabeth Gaskell and the crime short story - Renzo D'Agnillo: Elizabeth Gaskell's «Disappearances»: Narratives of absence between mystery and empirical detection - Anna Enrichetta Soccio: In and out of the Victorian house: The representation of domestic spaces in Gaskell's «The Grey Woman» - Benedetta Bini: «The cat on her knee»: Gaskell's leave-taking - Marilena Saracino: Interpreting otherness: Elizabeth Gaskell and «The Crooked Branch» - Francesco Marroni: Narrating nineteenth-century dress codes: Elizabeth Gaskell and the desire for a turban - Valentina Polcini: Illustrating Cranford: George du Maurier and Hugh Thomson - Raffaella Antinucci: Filming Gaskell's shorter fiction - Allan C. Christensen: «Ruth...sick for home»: The Keatsian imagination in the novel of Elizabeth Gaskell - Michela Marroni: A quasi-Ruskinian tale: Elizabeth Gaskell's concern for objectivity - Eleonora Sasso: Morrisian hauntings in Gaskell's supernatural tales.

Francesco Marroni is Professor of English Literature at the «G. d'Annunzio» University of Chieti-Pescara. Besides being the Director of the Centre for Victorian and Edwardian Studies, he is Vice President of the Gaskell Society (Manchester).
Renzo D'Agnillo is Associate Professor of English Literature at the «G. d'Annunzio» University of Chieti-Pescara. His publications include Bruce Chatwin: Settlers, Exiles and Nomads (2000) and The Poetry of Matthew Arnold (2005).
Massimo Verzella is Contracted Lecturer of English Language and Literature at the «G. d'Annunzio» University of Chieti-Pescara. His publications include a monograph on Elizabeth Cary and Mary Wroth (2007) and Samuel Butler: disegni narrativi e figure del paradosso (2009).

«This collection is strong because its goal is to view an author from an original, innovative and dialogical perspective that is different from the perspective handed down in traditional criticism - and not merely for the simple sake of seeking originality. I do believe this volume achieves this, not only because it self-consciously looks at modern interpretive methods (corpus-based word studies, detective fiction techniques and television interpretations) but more importantly because it considers the short story genre rather than the more commonly interpreted novels, offering a new perspective that incorporates Gaskell's response to the issues of her time through her journalistic and serial writings.» (Carolyne Van Der Meer, Brontë Studies)