Ethnomusicology, Queerness, Masculinity
Silence=Death
(Sprache: Englisch)
This open access book explores the disciplinary, disciplined, and recent interdisciplinary sites and productions of ethnomusicology and queerness, arguing that both academic realms are founded upon a destructive masculinity-indissolubly linked to...
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Klappentext zu „Ethnomusicology, Queerness, Masculinity “
This open access book explores the disciplinary, disciplined, and recent interdisciplinary sites and productions of ethnomusicology and queerness, arguing that both academic realms are founded upon a destructive masculinity-indissolubly linked to coloniality and epistemic hegemony-and marked by a monologic, ethnocentric silencing of embodied, same-sex desire. Ethnomusicology's fetishization of masculinizing fieldwork; queerness's functioning as Anglophone master category; and both domains' devaluation of sensuality and experience, concomitant with an adherence to provincial, Western conceptions of knowledge production, are revealed as precluding the possibilities for equitable, dialogic pluriversality. Enlisting the sonic as theoretical intervention, the disciplined/disciplining ethno and queer are reimagined in relation to negative emotions and intractable affect, ultimately vanquished, and replaced by explorations of sound, sex/uality, and experiential somaticity within a protean, postdisciplinary space of material/epistemic equity. This uncompromising, long-overdue critique will be of interest to researchers and students from numerous theoretical backgrounds, including music, sound, gender, queer, and postcolonial/decolonial studies.
Inhaltsverzeichnis zu „Ethnomusicology, Queerness, Masculinity “
Chapter 1: Introduction: SilencingChapter 2: 'This Is to Enrage You'
Chapter 3: We Don't Need Another Hero
Chapter 4: Street Cred and Locker Room Glances
Chapter 5: Diverse People in Special Places
Chapter 6: (No) Body/(No) Homo
Chapter 7: Affecting the ColonistChapter 8: Non-Fundamental Tones; or, the Pharmakon of Silence
Chapter 9: Conclusion: 'Such People Do Not Exist'
Autoren-Porträt von Stephen Amico
Stephen Amico is Associate Professor of Musicology at the University of Bergen, Norway. He is the author of Roll Over, Tchaikovsky!: Russian Popular Music and Post-Soviet Homosexuality (2014).
Bibliographische Angaben
- Autor: Stephen Amico
- 2023, 1st ed. 2024, X, 240 Seiten, Maße: 14,8 x 21 cm, Kartoniert (TB), Englisch
- Verlag: Springer, Berlin
- ISBN-10: 3031153154
- ISBN-13: 9783031153150
Sprache:
Englisch
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