Graphic Design Rules

Foreword
Type and Typography
Layout and Design
Colour
Imagery and Graphics
Production and Print
The Practice of Design
Index and Credits

Stefan G. Bucher is the man behind 344 Design and the online drawing and storytelling experiment, dailymonster.com. He is often engaged to speak on all things design, and produced a regular illustrated column that appeared in STEP magazine. His books include The Graphic Eye and 344 Questions: The Creative Person's Do-It-Yourself Guide to Insight, Survival, and Artistic Fulfillment.

Peter Dawson (gradedesign.com) has over 19 years experience in the UK design arena and co-founded his practice, Grade, in 2000. He has won a number of awards for his work including an ISTD Certificate of Excellence, and, most recently, Best Jacket/Cover Design at the 2010 British Book Design and Production Awards. He is a Fellow, and former Chair, of the International Society of Typographic Designers and has also acted as a visiting typography lecturer at a number of Universities.

John Foster was a teacher for 20 years before becoming a full-time writer. He is the author of twelve books of poetry and over 150 anthologies. He has performed at all the UK's national book festivals and visits schools and libraries regularly. His books include The Poetry Chest, The Oxford First Book of Poetry, Dinosaur Poems, Dragon Poems and Magic Poems. He lives in Oxfordshire.

Tony Seddon's longstanding career as a graphic designer has taken him from his native Cornwall, via London and several publishing companies, to East Sussex where he now works as a freelance designer and writer. He has authored and co-authored multiple books, including Graphic Design for Non-designers; Art Directing Projects for Print; and Thou Shall Not Use Comic Sans. Visit him online at http://www.tonyseddon.com.

Sean Adams and Noreen Morioka are partners at AdamsMorioka, a Los Angeles-based strategy and communications firm with offices in Beverly Hills and New York. AdamsMorioka has been globally recognized by every major competition and publication, including Communication Arts, AIGA, Graphis,

Amid all this talk of rule breaking, ugliness adn work-that's-so-bad-it's-good, Graphic Design Rules aims to redress the balance in favour of design that recognises that there are certain known knowns, as they say. It's either a guide to prevent rookie mistakes or a list of challenges to take head on Creative Review