Installation and the Moving Image
(Sprache: Englisch)
Film and video have a double nature; they create an illusory world, a reality elsewhere and a material presence that both dramatises and demystifies the magic trick of moving pictures. Since the 1960s, artists have systematically explored filmic and...
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Film and video have a double nature; they create an illusory world, a reality elsewhere and a material presence that both dramatises and demystifies the magic trick of moving pictures. Since the 1960s, artists have systematically explored filmic and televisual phenomena in the controlled environments of galleries and museums, drawing on multiple antecedents in cinema, television and the visual arts. This volume traces this lineage through architecture, painting, sculpture, performance, film history, and the ferment of counter-cultural film and video practices in the 1960s, 1970s and 1980s. Sound, an often overlooked element of installed work is given due attention, as are issues of spectatorship, incorporating the new insights offered by cognitive science. Woven into this genealogy is a discussion of the procedural, political, theoretical, and ideological positions espoused by artists, concentrating on the period from the mid-twentieth century to the present. The book, written from the perspective of a writer and practitioner, ends with a question: 'what's in it for the artist?'
Autoren-Porträt von Catherine Elwes
Catherine Elwes is Professor of Moving Image Art at Chelsea College of Art, University of the Arts London, and Founding Editor of the Moving Image Review & Art Journal (MIRAJ); she is also the author of Video Loupe (2000) and Video Art: A Guided Tour (2005).
Bibliographische Angaben
- Autor: Catherine Elwes
- 2015, 20 Abbildungen, Maße: 15,6 x 23,4 cm, Kartoniert (TB), Englisch
- Verlag: Columbia University Press
- ISBN-10: 0231174519
- ISBN-13: 9780231174510
- Erscheinungsdatum: 22.05.2015
Sprache:
Englisch
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