McDonagh, M: Cripple of Inishmaan

Martin McDonagh is a Tony- and Oscar-winning scriptwriter whose first play, The Beauty Queen of Leenane. was the 1996 winner of the George Devine Award; the Writer's Guild Award for Best Fringe Play; the Evening Standard Award for Most Promising Newcomer; four Tonys; and the Laurence Olivier Award. Since then McDonagh has gone on to write multiple smash-hit shows and films, and to win multiple awards including an Academy Award for Live Action Short Film for Six Shooter (2005), an Oscar nomination, a British Independent Film Award for best screenplay, an Irish Playwrights and Screenwriters Guild Award for Best Film Script, and a BAFTA for best original screenplay, all for In Bruges (starring Colin Farrell and Brendan Gleeson, 2008), and a Laurence Olivier award for Best New Play for The Pillowman (won 2004).

McDonagh's play wittily exposes the multiple layers of myth that surround Ireland. -- Michael Billington Guardian 20130618 McDonagh is a writer with a gift for scorching entertainment. -- Henry Hitchings London Evening Standard 20130619 McDonagh is a master technician -- he can whip up larger-than-life yet convincing characters and situations faster than any of his peers...he's expert at creating laugh-aloud comedy out of private cruelty. But if, to put it mildly, compassion has never been his strong suit, this is his play which most elicits genuine empathy. -- David Benedict Variety 20130619 Written with verbal brio and gleefully scant regard for sensitivities -- Sarah Hemming Financial Times 20130619 McDonagh - with his mastery of caustic dialogue - has drawn such weird, funny characters ... that this black comedy comes across as strangely celebratory of rural misery. Time Out 20130619 McDonagh refuses to romanticise ... emotionally cunning plot and themes of romanticism punctured, trapped rurality and the power of stories true or false ... each character has its own rhythm and eloquence, absurdity and dignity ... as ever in McDonagh, a jagged, violent darkness feeds the comedy, and laughter glistens in the deepest despair. In its final moments the see-saw of hope and tragedy moves so fast you gasp. -- Libby Purves The Times 20130619 A gloriously perverse writing talent ... playing with Irish stereotypes, flaunting the scabrous and outrageous is McDonagh's stock in trade ... his gift for teasing with comic caricature romps away ... language to bite on and speeches that ring with unusual cadences. -- Susannah Clapp Observer 20130623 Packed with cranky characters, running gags and entertainingly rude slurs, plus psychopathic moments -- Kate Bassett Independent on Sunday 20130623 As soon as you encounter any literary representations of 'the real Ireland', you enter the world of myth and myth-making, and the play has great ironic fun with all this. It's a mash-up of