Object Lessons / Jet Lag
(Sprache: Englisch)
Tracing physiological, temporal, technological, and cultural meanings, Christopher J. Lee's Jet Lag ponders our intrinsic human limits in the face of modern innovation.
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Produktinformationen zu „Object Lessons / Jet Lag “
Tracing physiological, temporal, technological, and cultural meanings, Christopher J. Lee's Jet Lag ponders our intrinsic human limits in the face of modern innovation.
Klappentext zu „Object Lessons / Jet Lag “
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Jet lag is a momentary condition resulting from the human body and its inner clock being pitched against the time-leaping effects of modern aviation. But more than that, it is a situation that explains time, technology, and the human body. Jet lag epitomizes the accelerated world we live in. It makes the speed and discomfort of globalization tangible on a personal level. Tracing physiological, temporal, technological, and cultural meanings, Christopher J. Lee's Jet Lag ponders our intrinsic human limits in the face of modern innovation, revealing the latent costs of global cosmopolitanism today. Object Lessons is published in partnership with an essay series in The Atlantic.
Inhaltsverzeichnis zu „Object Lessons / Jet Lag “
Introduction: The Esperanto of Jet Lag1. The Romantic Machine
2. Babel's Clock
3. Circadian Rhythm and Blues
4. Heaven Up Here
Conclusion: Jet Lag as a Way of Life
Acknowledgments
List of Illustrations
Notes
Index
Autoren-Porträt von Christopher J. Lee
Christopher J. Lee
Bibliographische Angaben
- Autor: Christopher J. Lee
- 2017, 200 Seiten, 44 Schwarz-Weiß-Abbildungen, mit Abbildungen, Maße: 12,3 x 16,6 cm, Kartoniert (TB), Englisch
- Herausgegeben: Christopher Schaberg, Ian Bogost
- Verlag: Bloomsbury Academic
- ISBN-10: 1501323229
- ISBN-13: 9781501323225
- Erscheinungsdatum: 28.08.2017
Sprache:
Englisch
Pressezitat
Lee has a gift for making surprising yet apposite associations ... He is best, though, when contemplating the "global capitalist spectacle" of airports, with their unifying corporate flags for individual airlines and the ubiquitous brands displayed down polished corridors. Times Literary Supplement
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