Oscar Wilde
A Life
(Sprache: Englisch)
The fullest, most textural, most accurate most human account of Oscar Wilde's unique and dazzling life based on extensive new research and newly discovered materials, from Wilde's personal letters and transcripts of his first trial to newly uncovered...
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The fullest, most textural, most accurate most human account of Oscar Wilde's unique and dazzling life based on extensive new research and newly discovered materials, from Wilde's personal letters and transcripts of his first trial to newly uncovered papers of his early romantic (and dangerous) escapades and the two-year prison term that shattered his soul and his life."Simply the best modern biography of Wilde." Evening Standard
Drawing on material that has come to light in the past thirty years, including newly discovered letters, documents, first draft notebooks, and the full transcript of the libel trial, Matthew Sturgis meticulously portrays the key events and influences that shaped Oscar Wilde's life, returning the man "to his times, and to the facts," giving us Wilde's own experience as he experienced it.
Here, fully and richly portrayed, is Wilde's Irish childhood; a dreamy, aloof boy; a stellar classicist at boarding school; a born entertainer with a talent for comedy and a need for an audience; his years at Oxford, a brilliant undergraduate punctuated by his reckless disregard for authority . . . his arrival in London, in 1878, "already noticeable everywhere" . . . his ten-year marriage to Constance Lloyd, the father of two boys; Constance unwittingly welcoming young men into the household who became Oscar's lovers, and dying in exile at the age of thirty-nine . . . Wilde's development as a playwright. . . becoming the high priest of the aesthetic movement; his successes . . . his celebrity. . . and in later years, his irresistible pull toward another double life, in flagrant defiance and disregard of England's strict sodomy laws ("the blackmailer's charter"); the tragic story of his fall that sent him to prison for two years at hard labor, destroying his life and shattering his soul.
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[ 2 ]A FAIR SCHOLAR
Knowledge came to me through pleasure.
Oscar Wilde
At the end of January 1864 Oscar and his brother were sent away to school, leaving the six-year-old Isola at home. It was an escape from the nursery and the rule of governesses. The Portora Royal School at Enniskillen in County Fermanagh, a hundred miles north of Dublin, was an ancient foundation, established in 1608 by James I for the education of the town s recently transplanted Scotch Presbyterian population. During the course of the nineteenth century, however, it had transformed itself into a far more outward-looking institution. And under the enlightened stewardship of Rev. William Steele, beginning in 1857, it emerged as a small but flourishing and academically renowned public school. The position of Enniskillen at the heart of the expanding Irish railway network made it a convenient location. Boarding pupils arrived from across the country, the sons of colonial officials, Irish gentry, established clergy, and professional men.
The Wildes had connections with Portora (the art master, William Bully Wakeman, was a friend of the family s and had provided some illustrations for Sir William s book on the Boyne), but the reputation of the place, both academic and social it was known to some as the Eton of Ireland would have been quite enough to commend it. The school was handsomely housed in a fine Georgian mansion on the top of the hill outside the town, with beautiful views out over Lower Lough Erne. When the Wilde brothers arrived, they were among 175 pupils: 112 boarders and 63 day boys. The boys, ranging in age from ten (according to the prospectus) to seventeen, were divided into distinct lower and upper schools.
The headmaster, Dr. Steele, was a remarkable man: intellectually distinguished, liberal-minded, frank, even noble (he encouraged Catholics toattend the school, though few came). Aged forty-four in 1864, he still had a lithe, vigorous frame, a quick step, and
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an eye that gleamed with energy and bright intelligence. And he stood at the heart of the life of his school. He took morning prayers and roll call. He was almost always present at the boys dinner, which he himself carved. He managed as one of Oscar s contemporaries recorded to achieve the happy mean between being too distant and being too familiar in his constant association with the boys, and the many unobtrusive ways by which he showed his interest and watchfulness in what was going on among them. As he made his rounds, his approach was usually heralded by the vigorous shaking of a large bunch of keys, which he held in outstretched hand, so that all had timely warning of his proximity. He treated the boys (and the masters) as if they were gentlemen and hoped that, as a result, they would behave as such. On the whole they did.
Steele considered that classics and mathematics provided the best basis for the education of the young. Other subjects should certainly be taught English, French, history, and geography but they were of lesser importance in the curriculum. To learn French properly, he believed, it was really necessary to go to France, while at the age when boys are at school, they are not capable of receiving a philosophic knowledge of history or geography. Steele himself was an excellent preceptor, with a real love of the classics. Anxious to have the boys well grounded in first principles, he mainly taught Latin and Greek in the lowerschool. He was a firm believer, too, in the virtues of examinations and prizes and he instituted a popular annual midsummer prize-giving and sports day, a gala end to the first term of each year. There were only two terms or h
Steele considered that classics and mathematics provided the best basis for the education of the young. Other subjects should certainly be taught English, French, history, and geography but they were of lesser importance in the curriculum. To learn French properly, he believed, it was really necessary to go to France, while at the age when boys are at school, they are not capable of receiving a philosophic knowledge of history or geography. Steele himself was an excellent preceptor, with a real love of the classics. Anxious to have the boys well grounded in first principles, he mainly taught Latin and Greek in the lowerschool. He was a firm believer, too, in the virtues of examinations and prizes and he instituted a popular annual midsummer prize-giving and sports day, a gala end to the first term of each year. There were only two terms or h
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Autoren-Porträt von Matthew Sturgis
MATTHEW STURGIS is the author of acclaimed biographies of Aubrey Beardsley and Walter Sickert, and has written for The Times Literary Supplement, The Daily Telegraph, and The Independent on Sunday.
Bibliographische Angaben
- Autor: Matthew Sturgis
- 2021, 864 Seiten, Maße: 16,3 x 24,2 cm, Gebunden, Englisch
- Verlag: KNOPF
- ISBN-10: 0525656367
- ISBN-13: 9780525656364
- Erscheinungsdatum: 18.10.2021
Sprache:
Englisch
Pressezitat
ONE OF THE WASHINGTON POST'S BEST BOOKS OF THE YEARExhaustively researched, enlightening and lively . . . The story of the man in full, with flaws and fine qualities almost equally balanced . . . Sturgis does not pretend to be a critic one of his gripes against Ellmann is that he approached his biography as a literary critic rather than a historian and he does not essay any overarching judgments. Instead he delivers the judgments of Wilde s own day: The Ballad of Reading Gaol turns out to have been by far the most popular of Wilde s works during his own lifetime, a fact I found surprising. The opinions of Wilde s more perceptive contemporaries can make us think. Brooke Allen, Wall Street Journal
Give yourself a present: Pick up a copy of Oscar Wilde: A Life . . . Sturgis s biography is now the fullest one-volume account of the iconic fin-de-siècle writer, aesthete, wit and gay martyr. It draws on the most up-to-date manuscript discoveries and scholarship, but deliberately sticks closely to Wilde s life. Michael Dirda, The Washington Post
[Sturgis s] clear-eyed understanding of Wilde is acute, his narrative assured. Drawing on new material, including the full transcript of the libel trial that set Wilde on the path to prison, he assembles an indelible portrait of a confounding and complex man. Mary Ann Gwinn, Minneapolis Star Tribune
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