Pater the Classicist

• Frontmatter


• List of Contributors


• Introduction: Charles Martindale: Pater and Antiquity


• 1. Classics and Classicism


• Introduction to Part 1


• 1: Isobel Hurst: Pater as Professional Classicist


• 2: Bénédicte Coste: Pater the Translator


• 3: Stefano Evangelista and Katherine Harloe: Pater's 'Winckelmann': Aesthetic Criticism and Classical Reception


• 4: Whitney Davis: Eternal Moment: Pater on the Temporality of the Classical Ideal in Art


• 2. Fictions


• Introduction to Part 2


• 5: Duncan Kennedy: Tibullus in Marius the Epicurean; or How to Read Pater's Fiction


• 6: Richard Rutherford: Marcus the Stoic in Marius the Epicurean


• 7: Shelley Hales: A Search for Home: The Representation of the Domestic in Marius the Epicurean


• 8: James I. Porter: Reception, Receptivity, and Anachronism in Marius the Epicurean


• 9: Caroline Vout: Pater's 'Apollo in Picardy': The Art of Scholarly Method


• 3. Greek Art and Culture


• Introduction to Part 3


• 10: Lene Østermark-Johansen: Pater's 'Hippolytus Veiled': A Study from Euripides?


• 11: Charlotte Ribeyrol: Hellenic Utopias: Pater in the Footsteps of Pausanias


• 12: Elizabeth Prettejohn: Pater on Sculpture


• 13: Robert Fowler: Pater and Greek Religion


• 4. Philosophy


• Introduction to Part 4


• 14: Giles Whiteley: Pater's Heraclitus: Irony and the Historical Method


• 15: Lee Behlman and Kurt Lampe: Animism and Metaphysics in Pater's Platonism


• 16: Daniel Orrells: Pater and Nettleship: A Platonic Education and the Politics of Disciplinarity


• 17: Adam Lee: The Ethics of Contemplation: Pater's Reading of Aristotle


• Afterword


• Endmatter


• General Bibliography on Pater and the Classics


• Index

Charles Martindale is Emeritus Professor of Latin at the University of Bristol, having previously also held the position of Dean of Arts there. He has written widely on reception issues, reception theory, and the relationship between classical and English poetry, especially Shakespeare and Milton and the afterlives of Virgil, Horace, and Ovid. He is the author of Redeeming the Text: Latin Poetry and the Hermeneutics of Reception (CUP, 1993) and Latin Poetry and the Judgement of Taste: An Essay in Aesthetics (OUP, 2005), as well as general editor, with David Hopkins, of the 5-volume Oxford History of Classical Reception in English Literature, four volumes of which have now been published.

Stefano Evangelista is Associate Professor of English at the University of Oxford and a Fellow of Trinity College, Oxford. He works on nineteenth-century English and comparative literature with particular interests in the reception of the classics, Aestheticism and Decadence, and the relationship between literary and visual cultures. He is the author of British Aestheticism and Ancient Greece: Hellenism, Reception, Gods in Exile (Palgrave Macmillan, 2009), the editor of The Reception of Oscar Wilde in Europe (Bloomsbury, 2010), and the co-editor with Catherine Maxwell of Algernon Charles Swinburne: Unofficial Laureate (Manchester University Press, 2013).

Elizabeth Prettejohn is Professor of History of Art at the University of York. She is best known for her work on the art of Victorian Britain (especially Pre-Raphaelitism and Aestheticism), and on the reception of ancient art in the modern world from Winckelmann to the present day. She has been involved in numerous exhibitions, including Alma-Tadema, D. G. Rossetti, and Waterhouse, and has also been published widely across a variety of subjects. Her most recent book is The Modernity of Ancient Sculpture: Greek Sculpture and Modern Art from Winckelmann to Picasso (I. B. Tauris, 2012).

Martindale's robust and sophisticated take on the importance of Pater frames the book magnificently, and does exactly what an introduction should; it sets all the following chapters in a brighter framework, and whets the appetite for arguments to come. Simon Goldhill, Times Literary Supplement