Performing Hybridity in Colonial-Modern China
(Sprache: Englisch)
In Shanghai in the early twentieth century, a hybrid theatrical form, wenmingxi, emerged that was based on Western spoken theatre, classical Chinese theatre, and a Japanese hybrid form known as shinpa. This book places it in the context of its hybridized...
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Klappentext zu „Performing Hybridity in Colonial-Modern China “
In Shanghai in the early twentieth century, a hybrid theatrical form, wenmingxi, emerged that was based on Western spoken theatre, classical Chinese theatre, and a Japanese hybrid form known as shinpa. This book places it in the context of its hybridized literary and performance elements, giving it a definitive place in modern Chinese theatre.
Inhaltsverzeichnis zu „Performing Hybridity in Colonial-Modern China “
Introduction: Modernity, Interculturalism, and Hybridity 1. Emergence of the National Theatrical Discourse 2. Hybrid Sources: Western, Japanese, and Chinese 3. Hybridization in Shanghai 4. Literary Hybridity: Scripts and Scenarios 5. Translative Hybridity: Acculturation and Foreignization 6. Performance Hybridity: The Search for Conventions
Autoren-Porträt von S. Liu
Siyuan Liu is an assistant professor in the Department of Theatre and Film at the University of British Columbia, Canada.
Bibliographische Angaben
- Autor: S. Liu
- 2013, 2013., 245 Seiten, Maße: 21,6 cm, Gebunden, Englisch
- Verlag: Palgrave Macmillan
- ISBN-10: 1137306106
- ISBN-13: 9781137306104
Sprache:
Englisch
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