Promise of Cinema
German Film Theory, 1907-1933
(Sprache: Englisch)
Rich in implications for our present era of media change, The Promise of Cinema offers an entirely new vision of early film theory. The volume conceives of "theory" not as a fixed body of canonical texts, but as a dynamic set of reflections on the very idea...
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Rich in implications for our present era of media change, The Promise of Cinema offers an entirely new vision of early film theory. The volume conceives of "theory" not as a fixed body of canonical texts, but as a dynamic set of reflections on the very idea of cinema and the possibilities and hopes once associated with it. Excavating more than 275 primary texts from the vast archive of early-twentieth-century German writings, this ground-breaking book chronicles the rise of a medium that articulated and transformed the modern experience. The wide-ranging assemblage juxtaposes lesser-known essays by Béla Balázs, Walter Benjamin, and Siegfried Kracauer with interventions and polemics from writers in the realms of aesthetics, education, industry, politics, science, and technology, thus generating an expansive understanding of a burgeoning visual culture that is still with us today. The book also features programmatic texts from the Weimar avant-garde and from popular filmmakers suchas Fritz Lang and F.W. Murnau.
Autoren-Porträt
Anton Kaes, geb. 1945; Professor für Deutsche Literatur an der University of California, Berkeley; Veröffentlichungen zu deutschen Literatur des 20. Jahrhunderts sowie zum Film.
Bibliographische Angaben
- 720 Seiten, mit Abbildungen, Maße: 25,7 cm, Kartoniert (TB), Englisch
- Herausgegeben von Kaes, Anton; Baer, Nicholas; Cowan, Michael
- Verlag: University of California Press
- ISBN-10: 0520219082
- ISBN-13: 9780520219083
Sprache:
Englisch
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