Queer Performance and Contemporary Ireland
Dissent and Disorientation
(Sprache: Englisch)
This book examines the surge of queer performance produced across Ireland since the first stirrings of the Celtic Tiger in the mid-1990s, up to the passing of the Marriage Equality referendum in the Republic in 2015.
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This book examines the surge of queer performance produced across Ireland since the first stirrings of the Celtic Tiger in the mid-1990s, up to the passing of the Marriage Equality referendum in the Republic in 2015.
Inhaltsverzeichnis zu „Queer Performance and Contemporary Ireland “
1. Introduction: Queer Performance and Contemporary Ireland
2. Activism, Drag and Solo Performance
3. Reparative Therapies and Political Performers
4. Transforming Shame and Testimonial Performance
5. Intergenerational Moves and Documentary Theatre
6. Sex, Class and the City: Site-Specific Roots and Routes
7. Vertiginous Loss, Love and Belonging on the National Stage
Afterword: Reeling-Feeling
Bibliography
Index
Autoren-Porträt von Fintan Walsh
Fintan Walsh is Senior Lecturer in Theatre and Performance Studies in the Department of English and Humanities at Birkbeck, University of London, UK, where he is Co-Director of the Centre for Contemporary Theatre. Recent publications include Theatre & Therapy (2013), Male Trouble: Masculinity and the Performance of Crisis (2010), and the edited collection 'That Was Us': Contemporary Irish Theatre and Performance (2013). He is Associate Editor of Theatre Research International.
Bibliographische Angaben
- Autor: Fintan Walsh
- 2016, 1st ed. 2015., 189 Seiten, Maße: 21,6 cm, Gebunden, Englisch
- Verlag: Palgrave Macmillan
- ISBN-10: 1137534494
- ISBN-13: 9781137534491
Sprache:
Englisch
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