Romanticism
An Anthology
(Sprache: Englisch)
This new edition of the groundbreaking Romanticism: An Anthology is the only book of its kind to contain complete texts of a wide range of Romantic works, including Blake's Songs of Innocence and of Experience, The Marriage of Heaven and Hell, and Urizen;...
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This new edition of the groundbreaking Romanticism: An Anthology is the only book of its kind to contain complete texts of a wide range of Romantic works, including Blake's Songs of Innocence and of Experience, The Marriage of Heaven and Hell, and Urizen; Wordsworth and Coleridge's Lyrical Ballads (1798); Wordsworth's Two-Part Prelude; early and revised versions of Coleridge's 'The Eolian Harp', 'This Lime-Tree Bower my Prison', 'Frost at Midnight', and 'The Ancient Mariner'; Shelley's Prometheus Unbound, Epipsychidion and Adonais; Byron's Childe Harold's Pilgrimage Canto III and Don Juan Dedication and Cantos I and II; and Keats's Odes, the two Hyperions, Lamia, Isabella and The Eve of St Agnes. It also carries explanatory annotations and author headnotes. Updated to incorporate the latest scholarly findings, it remains the essential text on Romanticism.Don Juan Dedication and Cantos I and II; and Keats's Odes, the two Hyperions, Lamia, Isabella and The Eve of St Agnes. It also carries explanatory annotations and author headnotes. Updated to incorporate the latest scholarly findings, it remains the essential text on Romanticism.
* Includes all texts from the third edition, with the addition of Keats's Isabella and Shelley's Epipsychidion, as well as a selection of the poems of Walter Scott
* Includes a wider and deeper selection of texts by the Big Six male poets (Blake, Wordsworth, Coleridge, Keats, Byron and Shelley) than any competing volume
* Includes a generous range of texts by female Romantic poets
* All editorial materials, including annotations, author headnotes, and prefatory materials, have been revised for the new edition
* The only book to contain complete texts, edited for this volume from manuscript and early printed sources by Wu, along with explanatory annotations and author headnotes
* Contains everything teachers and students require for an in-depth survey of the principal writings to emerge from the British Romantic period
* The
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most widely-used teaching anthology in the field in the UK
* Companion website features a dynamic timeline detailing significant events of the romantic period and providing images, suggestions for further reading and useful links to other online resources: www.romanticismanthology.com
* Companion website features a dynamic timeline detailing significant events of the romantic period and providing images, suggestions for further reading and useful links to other online resources: www.romanticismanthology.com
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Duncan Wu's Romanticism: An Anthology has been appreciated by thousands of literature students and their teachers across the globe since its first appearance in 1994, and is the most widely-used teaching text in the field in the UK. Now in its fourth edition, it stands as the essential work on Romanticism. It remains the only such book to contain complete poems and essays edited especially for this volume from manuscript and early printed sources by Wu, along with his explanatory annotations and author headnotes. This new edition carries all texts from the previous edition, adding Keats's Isabella and Shelley's Epipsychidion, as well as a new selection from the poems of Sir Walter Scott. All editorial materials, including annotations, author headnotes, and prefatory materials, are revised for this new edition.
Romanticism: An Anthology remains the only textbook of its kind to include complete and uncut texts of:
- Wordsworth and Coleridge, Lyrical Ballads (1798)
- Wordsworth, The Ruined Cottage, The Pedlar, The Two-Part Prelude, Michael, The Brothers and the Preface to Lyrical Ballads (1800)
- Charlotte Smith, Elegiac Sonnets (3rd ed., 1786), The Emigrants, Beachy Head
- Felicia Dorothea Hemans, Records of Woman sequence (all 19 poems)
- Byron, Childe Harold's Pilgrimage Canto III and Don Juan Dedication and Cantos I and II
- Blake, Songs of Innocence and of Experience, The Marriage of Heaven and Hell, and Urizen
- Shelley, Prometheus Unbound, Epipsychidion, The Mask of Anarchy and Adonais
- Keats, Odes, the two Hyperions, Lamia, Isabella and The Eve of St Agnes
- Hannah More, Sensibility and Slavery: A Poem
- Anna Laetitia Barbauld, Eighteen Hundred and Eleven
- Ann Yearsley, A Poem on the Inhumanity of the Slave-Trade
- Helen Maria Williams, A Farewell, for two years, to England
As well as generous selections from the works of Mary Robinson, John Thelwall, Dorothy Wordsworth, Robert Southey, Charles Lamb, Thomas De Quincey, William Hazlitt, Leigh Hunt, John Clare, Letitia Landon and Elizabeth Barrett Browning.
Visit www.romanticismanthology.com for resources to accompany the anthology, including a dynamic timeline which illustrates key historical and literary events during the Romantic period and features links to useful materials and visual media. iaven and Hell, and Urizen
- Shelley, Prometheus Unbound, Epipsychidion, The Mask of Anarchy and Adonais
- Keats, Odes, the two Hyperions, Lamia, Isabella and The Eve of St Agnes
- Hannah More, Sensibility and Slavery: A Poem
- Anna Laetitia Barbauld, Eighteen Hundred and Eleven
- Ann Yearsley, A Poem on the Inhumanity of the Slave-Trade
- Helen Maria Williams, A Farewell, for two years, to England
Romanticism: An Anthology remains the only textbook of its kind to include complete and uncut texts of:
- Wordsworth and Coleridge, Lyrical Ballads (1798)
- Wordsworth, The Ruined Cottage, The Pedlar, The Two-Part Prelude, Michael, The Brothers and the Preface to Lyrical Ballads (1800)
- Charlotte Smith, Elegiac Sonnets (3rd ed., 1786), The Emigrants, Beachy Head
- Felicia Dorothea Hemans, Records of Woman sequence (all 19 poems)
- Byron, Childe Harold's Pilgrimage Canto III and Don Juan Dedication and Cantos I and II
- Blake, Songs of Innocence and of Experience, The Marriage of Heaven and Hell, and Urizen
- Shelley, Prometheus Unbound, Epipsychidion, The Mask of Anarchy and Adonais
- Keats, Odes, the two Hyperions, Lamia, Isabella and The Eve of St Agnes
- Hannah More, Sensibility and Slavery: A Poem
- Anna Laetitia Barbauld, Eighteen Hundred and Eleven
- Ann Yearsley, A Poem on the Inhumanity of the Slave-Trade
- Helen Maria Williams, A Farewell, for two years, to England
As well as generous selections from the works of Mary Robinson, John Thelwall, Dorothy Wordsworth, Robert Southey, Charles Lamb, Thomas De Quincey, William Hazlitt, Leigh Hunt, John Clare, Letitia Landon and Elizabeth Barrett Browning.
Visit www.romanticismanthology.com for resources to accompany the anthology, including a dynamic timeline which illustrates key historical and literary events during the Romantic period and features links to useful materials and visual media. iaven and Hell, and Urizen
- Shelley, Prometheus Unbound, Epipsychidion, The Mask of Anarchy and Adonais
- Keats, Odes, the two Hyperions, Lamia, Isabella and The Eve of St Agnes
- Hannah More, Sensibility and Slavery: A Poem
- Anna Laetitia Barbauld, Eighteen Hundred and Eleven
- Ann Yearsley, A Poem on the Inhumanity of the Slave-Trade
- Helen Maria Williams, A Farewell, for two years, to England
Inhaltsverzeichnis zu „Romanticism “
List of Illustrations xxviiiList of Plates xxix
Abbreviations xxx
Introduction xxxii
Editor's Note on the Fourth Edition xlv
Editorial Principles xlvi
Acknowledgements xlviii
A Romantic Timeline 1770-1851 li
Richard Price (1723-1791) 3
Thomas Warton (1728-1790) 6
Edmund Burke (1729/30-1797) 8
William Cowper (1731-1800) 17
Thomas Paine (1737-1809) 24
Anna Seward (1742-1809) 29
Anna Laetitia Barbauld (née Aikin) (1743-1825) 34
Hannah More (1745-1833) 55
Charlotte Smith (née Turner) (1749-1806) 81
George Crabbe (1754-1832) 146
William Godwin (1756-1836) 155
Ann Yearsley (née Cromartie) (1756-1806) 160
William Blake (1757-1827) 174
Mary Robinson (née Darby) (1758-1800) 250
Robert Burns (1759-1796) 265
Mary Wollstonecraft (1759-1797) 281
Helen Maria Williams (1761-1827) 291
Joanna Baillie (1762-1851) 313
William Lisle Bowles (1762-1851) 321
John Thelwall (1764-1834) 322
William Wordsworth and Samuel Taylor Coleridge, Lyrical Ballads (1798) 333
William Wordsworth (1770-1850) 420
Sir Walter Scott (1771-1832) 597
Dorothy Wordsworth (1771-1855) 603
Samuel Taylor Coleridge (1772-1834) 611
Francis, Lord Jeffrey (1773-1850) 734
Robert Southey (1774-1843) 741
Charles Lamb (1775-1834) 756
William Hazlitt (1778-1830) 774
James Henry Leigh Hunt (1784-1859) 816
Thomas De Quincey (1785-1859) 829
Benjamin Robert Haydon (1786-1846) 858
George Gordon Byron, 6th Baron Byron (1788-1824) 862
Richard Woodhouse, Jr (1788-1834) 1067
Percy Bysshe Shelley (1792-1822) 1070
John Clare (1793-1864) 1271
Felicia Dorothea Hemans (née Browne) (1793-1835) 1290
John Gibson Lockhart (1794-1854)
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1375
John Keats (1795-1821) 1384
Hartley Coleridge (1796-1849) 1503
Mary Wollstonecraft Shelley (née Godwin) (1797-1851) 1505
Letitia Elizabeth Landon (1802-1838) 1512
Elizabeth Barrett Browning (1806-1861) 1532
Index of First Lines 1538
Index to Headnotes and Notes 1543
John Keats (1795-1821) 1384
Hartley Coleridge (1796-1849) 1503
Mary Wollstonecraft Shelley (née Godwin) (1797-1851) 1505
Letitia Elizabeth Landon (1802-1838) 1512
Elizabeth Barrett Browning (1806-1861) 1532
Index of First Lines 1538
Index to Headnotes and Notes 1543
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Autoren-Porträt von Duncan Wu
Duncan Wu is Professor of English at Georgetown University, a former Professor of English Literature at the Universities of Glasgow and Oxford, and a Fellow of the Royal Society of Arts. His publications include A Companion to Romanticism (Blackwell, 1997) and Romantic Women Poets: An Anthology (Blackwell, 1997). He is Vice-Chairman of the Keats-Shelley Memorial Association and The Charles Lamb Society.
Bibliographische Angaben
- Autor: Duncan Wu
- 2012, 4. Aufl., 1656 Seiten, mit Abbildungen, Maße: 17,9 x 25,2 cm, Kartoniert (TB), Englisch
- Herausgegeben: Duncan Wu
- Verlag: Wiley & Sons
- ISBN-10: 1405190752
- ISBN-13: 9781405190756
- Erscheinungsdatum: 28.02.2012
Sprache:
Englisch
Rezension zu „Romanticism “
"In the third edition of his groundbreaking Romanticism: An Anthology, Duncan Wu has made a very good text even better. For those interested in stirring the familiar ingredients (Blake to Byron) back into the rich soup of the times in which they dwelt, this anthology offers the best opportunity. Wu gives us the texts of familiar poems made strange--sometimes by being presented in their first printed version, sometimes by the juxtaposition implied by Wu's canny practice of the anthologizer's art." David Latane, Virginia Commonwealth University "The Wu anthology, even more magnificent and indispensable in its Third Edition, is not simply the most useful or the most learned anthology of English Romantic poetry and thought; it is the most exciting. The flames of that excitement are fed by generous cords of minor poets and major essayists, carefully selected, intelligently bundled. But even the old-growth timber of the major poets burns with a brighter flame by being most provocatively introduced, brilliantly edited (especially Blake), and stacked against the kindling of the lesser lyricists. The combination of earlier and revised versions of the same poem is dazzlingly illuminating. One might say of Wu's Romanticism: An Anthology, in comparison to any other collection, what Wu himself says in introducing the early use of the term "Romanticism: "Romanticism was 'organic' and 'plastic,' as against the 'mechanical' tendencies of Classicism." Perhaps the anthology itself cannot keep growing in subsequent editions without becoming unwieldy; but the enthusiasm it generates can grow without bounds and will prove both "organic"--well rooted in accurate, historically placed texts--and "plastic," ever subject to imaginative reshaping." Leslie Brisman, Yale University "The third edition of Duncan Wu's Romanticism is an outstanding anthology, an excellent choice for advanced undergraduate courses on the Romantic era. This edition's improvements include illustrations, a detailed
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chronology, and expanded selections from women poets. Early and late versions of crucial poems such as Coleridge's "This Lime-Tree Bower my Prison" are now placed together for easier comparison. I look forward to using this edition of Romanticism for years to come." Kim Wheatley, College of William and Mary "No one familiar with Duncan Wu's impressive body of Romantic period scholarship and criticism will be surprised at the high quality of Romanticism: An Anthology. I have chosen it for my "British Romantic Poetry" as this text is superior to any other available in its combination of essential canonical poetry with an astute selection of other literature, including extensive representation of women writers." Paul Betz, Georgetown University
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Pressezitat
"In the third edition of his groundbreaking Romanticism: An Anthology, Duncan Wu has made a very good text even better. For those interested in stirring the familiar ingredients (Blake to Byron) back into the rich soup of the times in which they dwelt, this anthology offers the best opportunity. Wu gives us the texts of familiar poems made strange--sometimes by being presented in their first printed version, sometimes by the juxtaposition implied by Wu's canny practice of the anthologizer's art."--David Latane, Virginia Commonwealth University
"The Wu anthology, even more magnificent and indispensable in its Third Edition, is not simply the most useful or the most learned anthology of English Romantic poetry and thought; it is the most exciting. The flames of that excitement are fed by generous cords of minor poets and major essayists, carefully selected, intelligently bundled. But even the old-growth timber of the major poets burns with a brighter flame by being most provocatively introduced, brilliantly edited (especially Blake), and stacked against the kindling of the lesser lyricists. The combination of earlier and revised versions of the same poem is dazzlingly illuminating. One might say of Wu's Romanticism: An Anthology, in comparison to any other collection, what Wu himself says in introducing the early use of the term "Romanticism: "Romanticism was 'organic' and 'plastic,' as against the 'mechanical' tendencies of Classicism." Perhaps the anthology itself cannot keep growing in subsequent editions without becoming unwieldy; but the enthusiasm it generates can grow without bounds and will prove both "organic"--well rooted in accurate, historically placed texts--and "plastic," ever subject to imaginative reshaping."
--Leslie Brisman, Yale University
"The fourth edition of Duncan Wu's Romanticism: An Anthology offers the perfect combination of breadth and depth. It contains a superb selection of literary texts with thought-provoking annotations
... mehr
and contextual materials that help bring the Romantic era to life."
--Kim Wheatley, College of William and Mary
"No one familiar with Duncan Wu's impressive body of Romantic period scholarship and criticism will be surprised at the high quality of Romanticism: An Anthology. I have chosen it for my "British Romantic Poetry" as this text is superior to any other available in its combination of essential canonical poetry with an astute selection of other literature, including extensive representation of women writers."
--Paul Betz, Georgetown University
--Kim Wheatley, College of William and Mary
"No one familiar with Duncan Wu's impressive body of Romantic period scholarship and criticism will be surprised at the high quality of Romanticism: An Anthology. I have chosen it for my "British Romantic Poetry" as this text is superior to any other available in its combination of essential canonical poetry with an astute selection of other literature, including extensive representation of women writers."
--Paul Betz, Georgetown University
... weniger
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