The Comedy and Legacy of Music-Hall Women 1880-1920
Brazen Impudence and Boisterous Vulgarity
(Sprache: Englisch)
This book explores the comedy and legacy of women working as performers on the music-hall stage from 1880-1920, and examines the significance of their previously overlooked contributions to British comic traditions. Focusing on the under-researched female...
Jetzt vorbestellen
versandkostenfrei
Buch (Gebunden)
106.99 €
53 DeutschlandCard Punkte
sammeln
- Lastschrift, Kreditkarte, Paypal, Rechnung
- Kostenlose Rücksendung
- Ratenzahlung möglich
Produktdetails
Produktinformationen zu „The Comedy and Legacy of Music-Hall Women 1880-1920 “
Klappentext zu „The Comedy and Legacy of Music-Hall Women 1880-1920 “
This book explores the comedy and legacy of women working as performers on the music-hall stage from 1880-1920, and examines the significance of their previously overlooked contributions to British comic traditions. Focusing on the under-researched female 'serio-comic', the study includes six micro-histories detailing the acts of Ada Lundberg, Bessie Bellwood, Maidie Scott, Vesta Victoria, Marie Lloyd and Nellie Wallace. Uniquely for women in the late-nineteenth and early-twentieth centuries, these pioneering performers had public voices. The extent to which their comedy challenged Victorian and Edwardian perceptions of women is revealed through explorations of how they connected with popular audiences while also avoiding censorship. Their use of techniques such as comic irony and stereotyping, self-deprecation, and comic innuendo are considered alongside the work of contemporary stand-up comedians and performance artists including Bridget Christie, Bryony Kimmings, Sara Pascoe, ShaziaMirza and Sarah Silverman.Inhaltsverzeichnis zu „The Comedy and Legacy of Music-Hall Women 1880-1920 “
Introduction: 'reweaving' women's comic performance history.- Chapter 1: 'Sentiments unwomanly and unnatural': moral ambiguity, censorship and public perceptions of the serio-comic performer.- Chapter 2: 'A Comfort and Blessing To Man': performed irony, self-deprecation and comic subversions of gender stereotypes.- Chapter 3: 'Can We Talk?': intimacy, 'gagging' and comic licence in performer-audience relationships.- Chapter 4 'I mustn't tell you what I mean' knowing, not knowing and comic innuendo as performed (self) censorship.- Chapter 5 'Every Little Movement Has A Meaning of Its Own': comic gestus and the ironic embodiment of gender.- Conclusion.
Autoren-Porträt von Sam Beale
Sam Beale teaches solo performance and stand-up comedy on the Theatre Arts programmes at Middlesex University, London. She researches into and writes about comic performance, gender and performance and the history of comedy and popular performance.
Bibliographische Angaben
- Autor: Sam Beale
- 2020, 1st ed. 2020, XXII, 289 Seiten, Maße: 15,4 x 21,8 cm, Gebunden, Englisch
- Verlag: Springer, Berlin
- ISBN-10: 3030479404
- ISBN-13: 9783030479404
Sprache:
Englisch
Kommentar zu "The Comedy and Legacy of Music-Hall Women 1880-1920"
0 Gebrauchte Artikel zu „The Comedy and Legacy of Music-Hall Women 1880-1920“
| Zustand | Preis | Porto | Zahlung | Verkäufer | Rating |
|---|
Schreiben Sie einen Kommentar zu "The Comedy and Legacy of Music-Hall Women 1880-1920".
Kommentar verfassen