The Contemporary American Essay
(Sprache: Englisch)
A dazzling anthology of essays by some of the best writers of the past quarter century from Barry Lopez and Margo Jefferson to David Sedaris and Samantha Irby selected by acclaimed essayist Phillip Lopate.
The first decades of the twenty-first...
The first decades of the twenty-first...
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A dazzling anthology of essays by some of the best writers of the past quarter century from Barry Lopez and Margo Jefferson to David Sedaris and Samantha Irby selected by acclaimed essayist Phillip Lopate. The first decades of the twenty-first century have witnessed a blossoming of creative nonfiction. In this extraordinary collection, Phillip Lopate gathers essays by forty-seven of America s best contemporary writers, mingling long-established eminences with newer voices and making room for a wide variety of perspectives and styles. The Contemporary American Essay is a monument to a remarkably adaptable form and a treat for anyone who loves fantastic writing.
Hilton Als Nicholson Baker Thomas Beller Sven Birkerts Eula Biss Mary Cappello Anne Carson Terry Castle Alexander Chee Teju Cole Bernard Cooper Sloane Crosley Charles D Ambrosio Meghan Daum Brian Doyle Geoff Dyer Lina Ferreira Lynn Freed Rivka Galchen Ross Gay Louise Glück Emily Fox Gordon Patricia Hampl Aleksandar Hemon Samantha Irby Leslie Jamison Margo Jefferson Laura Kipnis David Lazar Yiyun Li Phillip Lopate Barry Lopez Thomas Lynch John McPhee Ander Monson Eileen Myles Maggie Nelson Meghan O Gieblyn Joyce Carol Oates Darryl Pinckney Lia Purpura Karen Russell David Sedaris Shifra Sharlin David Shields Floyd Skloot Rebecca Solnit Clifford Thompson Wesley Yang
An Anchor Original.
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from the Introduction by Phillip LopateThe first quarter of the twenty-first century has been an uneasy time of rupture and anxiety, filled with historic challenges and opportunities. In that close to twenty-five-year span, the United States witnessed the ominous opening shot of September 11th, followed by the seemingly unending Afghanistan and Iraq wars, the effort to control HIV/AIDS, the 2008 recession, the election of the first African American president, the legalization of same-sex marriage, the contentious reign of Donald Trump, the stepped-up restriction of immigrants, the #MeToo movement, Black Lives Matter, and the coronavirus pandemic, just to name a few major events. Intriguingly, the essay has blossomed during this time, in what many would deem an exceptionally good period for literary nonfiction if not a golden one, then at least a silver: I think we can agree that there has been a remarkable outpouring of new and older voices responding to this perplexing moment in a form uniquely amenable to the processing of uncertainty.
When the century began, essays were considered box office poison; editors would sometimes disguise collections of the stuff by packaging them as theme-driven memoirs. All that has changed: a generation of younger readers has embraced the essay form and made their favorite authors into bestsellers. We could speculate on the reasons for this growing popularity the hunger for humane, authentic voices trying to get at least a partial grip on the truth in the face of so much political mendacity and information overload; the convenient, bite-sized nature of essays that require no excessive time commitment; the rise of identity politics and its promotion of eloquent spokespersons. Rather than trying to figure out why it s happening, what s important is to chart the high points of this resurgence, and to account for the range of styles, subgenres, experimental approaches, and moral positions that characterize the contemporary
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American essay.
Of course, roping off a period like the year 2000 to the present and calling it contemporary is somewhat arbitrary, but one has to start somewhere. At least this artificial chronological box allows for the inclusion of older authors who made their mark in the twentieth century and had the temerity to keep producing significant work in the twenty-first (such as John McPhee, Joyce Carol Oates, Barry Lopez, Thomas Lynch). Just as set designers of period films make a mistake in choosing only articles of clothing or furnishings that were produced in that era, forgetting that we always live with the layered material objects of previous decades, so it would be wrong to restrict the literary flavor of an era to writers under forty. Indeed, what makes this period so interesting is the mélange of clashing generations and points of view. There are still tightly reasoned sequential essays being written in the classical mode, side by side with ones that resist that tidiness.
The essay has always been an adaptable, plastic, shape-shifting form: it may take the form of meditation, reportage, blog, humor piece, eulogy, autobiographical slice, diatribe, list, collage, mosaic, lecture, or letter. Contemporary practitioners seem bent on further testing its limits. For instance, Lia Purpura, Eula Biss, and Mary Cappello are drawn to the lyric essay, which stresses the essay s associational rather than narrative or argumentative properties. Cappello has shrewdly spoken about essay writing that nongenre that allows for untoward movement, apposition, and assemblage, that is one part conundrum, one part accident, and that fosters a taste for discontinuity. In line with modernist aesthetics, a mosaic essay with a taste for discontinuity may be constructed from fragments, numbered or not, with white space breaks between pieces that connect intuitively or emotionally
Of course, roping off a period like the year 2000 to the present and calling it contemporary is somewhat arbitrary, but one has to start somewhere. At least this artificial chronological box allows for the inclusion of older authors who made their mark in the twentieth century and had the temerity to keep producing significant work in the twenty-first (such as John McPhee, Joyce Carol Oates, Barry Lopez, Thomas Lynch). Just as set designers of period films make a mistake in choosing only articles of clothing or furnishings that were produced in that era, forgetting that we always live with the layered material objects of previous decades, so it would be wrong to restrict the literary flavor of an era to writers under forty. Indeed, what makes this period so interesting is the mélange of clashing generations and points of view. There are still tightly reasoned sequential essays being written in the classical mode, side by side with ones that resist that tidiness.
The essay has always been an adaptable, plastic, shape-shifting form: it may take the form of meditation, reportage, blog, humor piece, eulogy, autobiographical slice, diatribe, list, collage, mosaic, lecture, or letter. Contemporary practitioners seem bent on further testing its limits. For instance, Lia Purpura, Eula Biss, and Mary Cappello are drawn to the lyric essay, which stresses the essay s associational rather than narrative or argumentative properties. Cappello has shrewdly spoken about essay writing that nongenre that allows for untoward movement, apposition, and assemblage, that is one part conundrum, one part accident, and that fosters a taste for discontinuity. In line with modernist aesthetics, a mosaic essay with a taste for discontinuity may be constructed from fragments, numbered or not, with white space breaks between pieces that connect intuitively or emotionally
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Inhaltsverzeichnis zu „The Contemporary American Essay “
Introduction by Phillip LopateI Am the Happiness of This World by Hilton Als
One Summer by Nicholson Baker
Portrait of the Bagel as a Young Man by Thomas Beller
"Brave Face" by Sven Birkerts
Excerpt from "On Immunity" by Eula Biss
Tactless by Mary Cappello
Decreation by Anne Carson
Home Alone by Terry Castle
Girl by Alexander Chee
Black Body by Teju Cole
Greedy Sleep by Bernard Cooper
The Doctor Is a Woman by Sloane Crosley
Loitering by Charles D'Ambrosio
Matricide by Meghan Daum
Joyas Voladoras by Brian Doyle
Otherwise Known as the Human Condition (with particular reference to Doughnut Plant doughnuts) by Geoff Dyer
CID LAX BOG by Lina Ferreira
Doing No Harm: Some Thoughts on Reading and Writing in the Age of Umbrage by Lynn Freed
The Case of the Angry Daughter by Rivka Galchen
Scat by Ross Gay
On Revenge by Louise Glück
Faculty Wife by Emily Fox Gordon
Other People s Secrets by Patricia Hampl
The Aquarium by Aleksandar Hemon
The Terror of Love by Samantha Irby
The Empathy Exams by Leslie Jamison
Negroland by Margo Jefferson
Domestic Gulags by Laura
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Kipnis
Ann: Death and the Maiden by David Lazar
Dear Friend, from My Life I Write to You in Your Life by Yiyun Li
Experience Necessary by Phillip Lopate
The Invitation by Barry Lopez
Bodies in Motion and at Rest by Thomas Lynch
Draft No. 4 by John McPhee
"Failure: A Meditation, Another Iteration (With Interruptions)" by Anders Monson
Live Through That?! by Eileen Myles
Excerpt from The Argonauts by Maggie Nelson
Homeschool by Meghan O Gieblyn
A Visit to San Quentin by Joyce Carol Oates
Busted in New York by Darryl Pinckney
Against Gunmetal by Lia Purpura
Beeper World by Karen Russell
This Old House by David Sedaris
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Ann: Death and the Maiden by David Lazar
Dear Friend, from My Life I Write to You in Your Life by Yiyun Li
Experience Necessary by Phillip Lopate
The Invitation by Barry Lopez
Bodies in Motion and at Rest by Thomas Lynch
Draft No. 4 by John McPhee
"Failure: A Meditation, Another Iteration (With Interruptions)" by Anders Monson
Live Through That?! by Eileen Myles
Excerpt from The Argonauts by Maggie Nelson
Homeschool by Meghan O Gieblyn
A Visit to San Quentin by Joyce Carol Oates
Busted in New York by Darryl Pinckney
Against Gunmetal by Lia Purpura
Beeper World by Karen Russell
This Old House by David Sedaris
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Autoren-Porträt von Phillip Lopate
PHILLIP LOPATE is the author of To Show and to Tell: The Craft of Literary Nonfiction and four essay collections, Bachelorhood, Against Joie de Vivre, Portrait of My Body, and Portrait Inside My Head. He is the editor of the anthologies The Glorious American Essay, The Golden Age of the American Essay, The Art of the Personal Essay, Writing New York, and American Movie Critics. He was awarded a John Simon Guggenheim Fellowship, a New York Public Library Center for Scholars and Writers Fellowship, two National Endowment for the Arts grants, and two New York Foundation for the Arts grants. He is a professor of writing at Columbia University's nonfiction MFA program and lives in Brooklyn, New York.
Bibliographische Angaben
- Autor: Phillip Lopate
- 2021, 640 Seiten, Maße: 13,1 x 20,2 cm, Kartoniert (TB), Englisch
- Verlag: ANCHOR
- ISBN-10: 0525567321
- ISBN-13: 9780525567325
- Erscheinungsdatum: 02.09.2021
Sprache:
Englisch
Pressezitat
What s marvelous is the way Lopate s anthologies . . . manage to be not only comprehensive monuments of deep expertise, but such continuously fresh and thrilling reading companions. Jonathan Lethem, author of The Feral DetectivePhillip Lopate is one of the most brilliant and original essayists now working. Louise Glück, winner of the Nobel Prize in Literature
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