The Executor
(Sprache: Englisch)
Things aren't going well for Joseph Geist. He's broke. His graduate school advisor won't talk to him. And his girlfriend has kicked him out of her apartment, leaving him homeless and alone. It's a tough spot for a philosopher to be in, and he's ready to...
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Klappentext zu „The Executor “
Things aren't going well for Joseph Geist. He's broke. His graduate school advisor won't talk to him. And his girlfriend has kicked him out of her apartment, leaving him homeless and alone. It's a tough spot for a philosopher to be in, and he's ready to give up all hope of happiness when an ad in the local paper catches his eye.'Conversationalist wanted', it reads.
Which sounds perfect to Joseph. After all, he's never done anything in his life except talk. And the woman behind the ad turns out to be the perfect employer: brilliant, generous, and willing to pay him for making conversation. Before long, Joseph has moved in with her, and has begun to feel very comfortable in her big, beautiful house.
So comfortable, in fact, that he would do anything to stay there-forever.
Autoren-Porträt von Jesse Kellerman
Jesse Kellerman was born in Los Angeles in 1978. He is the bestselling author of The Brutal Art and three other novels: The Executor, Trouble and Sunstroke. He graduated from Harvard and has won many awards for his writing. He lives in California.
Bibliographische Angaben
- Autor: Jesse Kellerman
- 2010, 496 Seiten, Maße: 12,6 x 4,2 cm, Kartoniert (TB), Englisch
- Verlag: Little, Brown Book Group
- ISBN-10: 0751540293
- ISBN-13: 9780751540291
- Erscheinungsdatum: 23.08.2010
Sprache:
Englisch
Rezension zu „The Executor “
'Kellerman has a gift for creating compelling characters as well as for crafting an ingenious plot that grabs the reader and refuses to let go' Publishers Weekly
Pressezitat
The plot builds to a climax that's as devastating as it is plausible. Few thriller writers today are as gifted as Kellerman at using lucid and evocative prose in the service of an intense and nail-biting story Publishers Weekly
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