The New Politics of the Handmade

List of illustrationsAcknowledgementsContributorsIntroduction, Anthea Black (California College of the Arts, USA) and Nicole Burisch (National Gallery of Canada) 1. From Craftivism to Craftwashing, Anthea Black (California College of the Arts, USA) and Nicole Burisch (National Gallery of Canada)2. Ethical Fashion, Craft and the New Spirit of Global Capitalism, Elke Gaugele (Academy of Fine Arts Vienna, Austria)3. Selven O'Keef Jarmon: Beading Across Geographies, Nicole Burisch (National Gallery of Canada)4. The Making of Many Hands: Artisanal Production and Neighborhood Redevelopment in Contemporary Socially Engaged Art, Noni Brynjolson (University of Indianapolis, USA)5. That Looks Like Work: The Total Aesthetics of Handcraft, Shannon R. Stratton (Ox-Bow School of Art and Artists Residency, USA)6. Craft as Property as Liberalism as Problem, Leopold Kowolik (Sheridan College and York University, Canada)7. Zahner Metals: Architectural Fabrication and Craft Labour, Peggy Deamer (Yale University and Deamer Studio, USA)8. Capitalising on Community: The Makerspace Phenomenon, Diana Sherlock (Alberta University of the Arts, Canada)9. Morehshin Allahyari: On Material Speculation, Alexis Anais Avedisian (NYC Media Lab, USA) and Anna Khachiyan (independent, USA)10. From Molten Plastic to Polished Mahogany: Bricolage and Scarcity in 1990s Cuban Art, Blanca Serrano Ortiz De Solórzano (Institute for Studies on Latin American Art, USA)11. Things Needed Made, Nasrin Himada (independent scholar, Canada)12. Secret Stash: Textiles, Hoarding, Collecting, Accumulation and Craft, Kirsty Robertson (Western University, Canada)13. Shinique Smith: Lines that Bind, Julia Bryan-Wilson (University of California, USA)14. Margarita Cabrera: Landscapes of Nepantla, Laura August (independent scholar, Guatemala/USA)15. The Sovereign Stitch: Re-reading Embroidery as a Critical Feminist-Decolonial Text, Ellyn Walker (Queen's University, Canada)16. Ursula Johnson: Weaving Histories and Netukulimk in