The Oxford Handbook of Algorithmic Music
(Sprache: Englisch)
Featuring chapters by emerging and established scholars as well as by leading practitioners in the field, this Handbook both describes the state of algorithmic composition and also set the agenda for critical research on and analysis of algorithmic music.
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Featuring chapters by emerging and established scholars as well as by leading practitioners in the field, this Handbook both describes the state of algorithmic composition and also set the agenda for critical research on and analysis of algorithmic music.
Klappentext zu „The Oxford Handbook of Algorithmic Music “
With the ongoing development of algorithmic composition programs and communities of practice expanding, algorithmic music faces a turning point. Joining dozens of emerging and established scholars alongside leading practitioners in the field, chapters in this Handbook both describe the state of algorithmic composition and also set the agenda for critical research on and analysis of algorithmic music. Organized into four sections, chapters explore the music's history, utility, community, politics, and potential for mass consumption. Contributors address such issues as the role of algorithms as co-performers, live coding practices, and discussions of the algorithmic culture as it currently exists and what it can potentially contribute society, education, and ecommerce. Chapters engage particularly with post-human perspectives - what new musics are now being found through algorithmic means which humans could not otherwise have made - and, in reciprocation, how algorithmic music is being assimilated back into human culture and what meanings it subsequently takes. Blending technical, artistic, cultural, and scientific viewpoints, this Handbook positions algorithmic music making as an essentially human activity.
Inhaltsverzeichnis zu „The Oxford Handbook of Algorithmic Music “
- Contents
- Section 1: Grounding algorithmic music
- 1. Musical Algorithms as Tools, Languages and Partners: A Perspective
- Alex McLean, Roger T. Dean
- 2. Algorithmic Music and the Philosophy of Time
- Julian Rohrhuber
- 3. Action and Perception: Embodying Algorithms and the Extended Mind
- Palle Dahlstedt
- 4. Origins of Algorithmic Thinking in Music
- Nick Collins
- 5. Algorithmic Thinking and Central Javanese Gamelan
- Charles Matthews
- Perspectives on Practice A
- 6. Thoughts on Composing with Algorithms
- Laurie Spiegel
- 7. Mexico and India: Diversifying and Expanding the Live Coding Community
- Alexandra Cardenas
- 8. Deautomatization of Breakfast Perceptions
- Renate Wieser
- 9. Why Do We Want Our Computers to Improvise?
- George Lewis
- Section 2: What can algorithms in music do?
- 10. Compositions Created with Constraint Programming
- Torsten Anders
- 11. Linking Sonic Aesthetics With Mathematical Theories
- Andy Milne
- 12. Machine Learning and Listening in Composition and Performance
- Rebecca Fiebrink and Baptiste Caramiaux
- 13. Biologically-Inspired and Agent-Based Algorithms for Music
- Alice Eldridge and Oliver Bown
- 14. Performing with Patterns of Time
- Thor Magnusson, University of Sussex, Alex McLean, FoAM Kernow
- 15. Computational Creativity and Live Algorithms
- Geraint Wiggins and Jamie Forth
- 16. Tensions and Techniques in Live Coding Performance
- Charlie Roberts and Graham Wakefield
- Perspectives on Practice B
- 17. When Algorithms Meet Machines
- Sarah Angliss
... mehr
18. Notes on Pattern Synthesis
Mark Fell
19. Performing algorithms
Kristin Erickson
Section 3: Purposes of algorithms for the music maker
20. Network music and the algorithmic ensemble
David Ogborn
21. Sonification != music
Carla Scaletti
22. Color is the Keyboard: Transcoding from Visual to Sonic
Margaret Schedel
23. Designing Interfaces for Musical Algorithms
Jamie Bullock, Integra Lab, Birmingham Conservatoire
24. Ecooperatic Music Game Theory
David Kanaga
25. Algorithmic Spatialisation
Jan C Schacher
Perspectives on Practice C
26. Form, Chaos and the Nuance of Beauty
Mileece I'Anson
... weniger
Autoren-Porträt
Alex McLean is Post-Doctoral Researcher in Deutsches Museum on the PENELOPE project, co-founder of the TOPLAP live coding and Algorave algorithmic dance music movements, and co-initator of the International Conference on Live Coding, International Conference on Live Interfaces, and the Festival of Algorithmic and Mechanical Movement.Roger T. Dean is Professor of Sonic Communication at the MARCS Institute, University of Western Sydney, and is also a composer, improvisor, and researcher. He founded and directs the ensemble austraLYSIS and is the author of several books on computer and algorithmic music.
Bibliographische Angaben
- 2018, 710 Seiten, Maße: 18,1 x 25,4 cm, Gebunden, Englisch
- Herausgegeben: Roger T. Dean, Alex McLean
- Verlag: Oxford University Press
- ISBN-10: 0190226994
- ISBN-13: 9780190226992
- Erscheinungsdatum: 17.04.2018
Sprache:
Englisch
Pressezitat
it is undoubtedly an important didactic resource for students of algorithmic composition, including beginners, who want to get a wide and up-to-date overview of the various applications of algorithms in music scenarios. Alessandro Anatrini, Musicae Scientiae
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