The Oxford Handbook of Mobile Music Studies

Contents:; 1. The Mobilization of Performance: An Introduction to the Aesthetics of Mobile Music; Sumanth Gopinath and Jason Stanyek; Part I: Frequency-Range Aesthetics; 2. Treble Culture; Wayne Marshall; 3. Of Sirens Old and New; Alexander Rehding; Part II: Sounding Transport; 4. Cars With the Boom: Music, Automobility, and Hip-hop Sub Cultures; Justin Williams; 5. Ding, Ding!: The Commodity Aesthetic of Ice Cream Truck Music; Daniel T. Neely; 6. There must be some relatIon beTween mushrOoms and trains: Alvin Curran's Boletus Edulis-Musica Pendolare; Benjamin Piekut; Part III: Walking and Bodily Choreography; 7. Polyphonies of Footsteps; Frauke Behrendt; 8. Soundwalking: Creating Moving Environmental Sound Narratives; Andra McCartney; 9. Gestural Choreographies: Embodied Disciplines and Digital Media; Harmony Bench; Part IV: Dance and Dance Musics; 10. (In)Visible Mediators: Urban Mobility, Interface Design, and the Disappearing Computer in Berlin-Based Laptop Performances; Mark J. Butler; 11. Turning the Tables: Digital Technologies and the Remixing of DJ Culture; Christine Zanfagna and Levitt Brandin, Kate; 12. Dancing Silhouettes: The Mobile Freedom of iPod Commercials; Justin D. Burton; Part V: Popular Music Production; 13. Music, Mobility, and Distributed Recording Production in Turkish Political Music; Eliot Bates; 14. Rhythms of Relation: Black Popular Music and Mobile Technologies; Alexander Weheliye; Part VI: Gaming Aesthetics; 15. A History of Handheld and Mobile Video Game Sound; Karen Collins; 16. The Chiptuning of the World: Game Boys, Imagined Travel, and Musical Meaning; Chris Tonelli; 17. Rhythm Heaven: Video Games, Idols, and Other Experiences of Play; Miki Kaneda; Part VII: Mobile Music Instruments; 18. The Mobile Phone Orchestra; Ge Wang, Georg Essl, and Henri Penttinen; 19. Creative Applications of Interactive Mobile Music; Atau Tanaka; 20. Music-Making and the iPhone: Notes From An Academic Entrepreneur; Ge Wang

Sumanth Gopinath is the author of The Ringtone Dialectic: Economy and Cultural Form (2013). His writings on Steve Reich, musical minimalism, Marxism, academic politics, ringtones, Bob Dylan, and Benjamin Britten have appeared in scholarly journals including Music Theory Spectrum, Journal of the Society for American Music, and First Monday, and in the edited collections Sound Commitments, Highway 61 Revisited, and Music and Narrative since 1900. Jason Stanyek is University Lecturer in Ethnomusicology at the University of Oxford, where he is also Fellow and Tutor in Music at St John's College. His writings on Brazilian music, improvisation, music technology, and jazz have appeared in a range of academic journals and edited collections. Forthcoming books include a monograph on music and dance in the Brazilian diaspora and a volume (co-edited with Frederick Moehn) titled Brazil's Northern Wave: Fifty Years of Bossa Nova in the United States.