The Oxford Handbook of Modern Chinese Literatures
(Sprache: Englisch)
The Oxford Handbook of Modern Chinese Literatures offers an in-depth engagement with the current analytical methodologies and critical practices that are shaping the field in the twenty-first century.
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The Oxford Handbook of Modern Chinese Literatures offers an in-depth engagement with the current analytical methodologies and critical practices that are shaping the field in the twenty-first century.
Klappentext zu „The Oxford Handbook of Modern Chinese Literatures “
With over forty original essays, The Oxford Handbook of Modern Chinese Literatures offers an in-depth engagement with the current analytical methodologies and critical practices that are shaping the field in the twenty-first century. Divided into three sections--Structure, Taxonomy, Methodology--the volume carefully moves across approaches, genres, and forms to address a rich range topics that include popular culture in Late Qing China; Zhang Guangyu's Journey to the West in Cartoons; writings of Southeast Asian migrants in Taiwan; the Chinese Anglophone Novel; and depictions of HIV/AIDS in Chu T'ien-wen's Notes of a Desolate Man.
Inhaltsverzeichnis zu „The Oxford Handbook of Modern Chinese Literatures “
- Introduction: The Limits of Wen (?)
- Part I: Structure
- 1.1 Kirk Denton-Lu Xun, Returning Home, and May Fourth Modernity
- 1.2 Ping-hui Liao-Travels in Modern China: From Zhang Taiyan to Gao Xingjian
- 1.3 XIA Xiaohong-The Construction of the Modern Chinese Concept of Xiju ( "drama ")
- 1.4 Nathaniel Isaacson-Orientalism, Scientific Practice and Popular Culture in Late Qing China
- 1.5 CHEN Pingyuan-The Story of Literary History
- 1.6 Andrea Bachner-The Secrets of Language: Chen Li's Sinographic Anagrams
- 1.7 Michael Hill-On Not Knowing: Translation, Knowledge Work, and Modern Literature
- 1.8 MEI Chia-ling-Voice and the Quest for Modernity in Chinese Literature
- 1.9 Shelby Chan, Gilbert Fong-Hongkong-Speak: Cantonese and Rupert Chan's Translated Theater
- 1.10 Xiaomei Chen-Singing "The Internationale ": From the "Red Silk Road " to the Red Classics
- 1.11 John Crespi-Beyond Satire: The Pictorial Imagination of Zhang Guangyu's 1945 Journey to the West in Cartoons
- 1.12 Laikwan Pang-The Allegory of Time and Space: Tian Han's Historical Dramas in the Great Leap Forward Period
- 1.13 YAN Lianke-An Examination of China's Censorship System
- 1.14 Jie Li- "Are our drawers empty? ": Nie Gannu's Dossier Literature
- 1.15 Junning Fu-A Dream of Returning to 1997: The Phenomenology of Chinese Web Fantasy Literature
- Part II: Taxonomy
- 2.1 David Porter-Early Modern: Comparative Approaches to Literary Early Modernity
- 2.2 Xiaojue Wang-Borders and Borderlands Narratives in Cold War China
- 2.3 Xiaofei Tian-Hao Ran and the Cultural Revolution
- 2.4 Matthew Fraleigh-At the Borders of Chinese Literature: Poetic Exchange in the Nineteenth-Century Sinosphere
... mehr
2.5 Kwok Kou Leonard Chan-Sense of Place and Urban Images: Reading Hong Kong in Hong Kong Poetry
2.6 Yvonne Sung-sheng Chang-Wartime Taiwan: Epitome of an East Asian Modality of the Modern Literary Institution?
2.7 CHANG Cheng and LIAO Yun-chang- Song of Exile, Four-Way Voice: The Blood-and-Sweat Writings of Southeast Asian Migrants in Taiwan
2.8 Shuang Shen-Where the "Trans-Pacific " meets Chinese Literature
2.9 Belinda Kong-Xiaolu Guo and the Contemporary Chinese Anglophone Novel
2.10 Mark Bender-Poet of the Late Summer Corn: Aku Wuwu and Contemporary Yi Poetry
2.11 JI Jin-Literary Translation and Modern Chinese Literature
2.12 Chris Hamm-Genre in Modern Chinese Fiction: Righteous Heroes of Modern Times
2.13 Mingwei Song-Representations of the Invisible: Chinese Science Fiction in the Twenty-First Century
2.14 Rey Chow-Leung Ping-kwan: Shuqing and Reveries of Space
2.15 Nick Admussen-Genre Occludes the Creation of Genre: Bing Xin, Tagore, and Prose Poetry
Part III: Methodology
3.1 David Der-wei Wang-Chinese Literary Thought in Modern Times: Three Encounters
3.2 Jianmei Liu-Gao Xingjian: The Triumph of the Modern Zhuangzi
3.3 Haun Saussy and GE Zhaoguang-Historiography in the Chinese Twentieth Century
3.4 Yingjin Zh
... weniger
Autoren-Porträt
Carlos Rojas is Associate Professor of Chinese Cultural Studies, Women's Studies, and Arts of the Moving Image at Duke University. He is the author of The Great Wall: A Cultural History. Andrea Bachner is Assistant Professor of Comparative Literature at Cornell University.Bibliographische Angaben
- 2016, 952 Seiten, Maße: 18,8 x 25 cm, Gebunden, Englisch
- Herausgegeben: Carlos Rojas, Andrea Bachner
- Verlag: Oxford University Press
- ISBN-10: 0199383316
- ISBN-13: 9780199383313
- Erscheinungsdatum: 10.10.2016
Sprache:
Englisch
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