The Routledge Handbook of Heritage Destruction

1. A path well worn? Approaches for the old problem of heritage destruction; Part 1 Understanding Destruction -- 2. Heritage Destruction in Conflict; 3. Talking about Heritage Destruction in Market Countries; 4. Destruction of Cultural Heritage in Peacetime and International Law; 5. Development of the Law of Armed Conflict as Applied to Cultural Heritage; 6. Heritage Destruction and Human Rights; 7. Heritage Destruction and Genocide: Legal Resistance, Conceptual Resiliency; 8. Methods, Motivations, and Actors: A Risk-based Approach to Heritage Destruction and Protection; Part 2 Interpretations of Destruction ¿ 9. Heritage Destruction, Natural Disasters, and the Environment: Geological Disasters; 10. Heritage Destruction, Natural Disasters, and the Environment: Atmospheric Disasters; 11. Flooded Heritage: The Impact of Dams on Archaeological Sites; 12. On Destruction in Art and Film; 13. Between Heritage and the Readymade¿the Imminent Aesthetic of Ai Weiwei; 14. Heritage Predation and the Pursuit of Politics; 15. Post-conflict Recovery Challenges: Affect and Heritage in Post-conflict Cyprus and Italy; 16. Media Narratives, Heritage Destruction, and Universal Heritage: A Case Study of Palmyra; 17. Collateral Damage: The Negative Side Effects of Protecting Cultural Heritage in Conflict Related Situations; 18. Turning Destruction into an Opportunity: Understanding the Construction of Timbuktüs `success story¿ by UNESCO; 19. Heritage Destruction from a Humanitarian Perspective; Part 3 Expressions of Destruction -- 20. Cultural Property Destruction and Damage in Two World Wars; 21. Heritage Destruction and its Impact in Scandinavia and the Baltic Region during the Second World War; 22. Case Study: The Wars of Yugoslav Succession; 23. Cambodia: Gods Threatened by the Art Market and Warfare; 24. Destruction of Cultural Heritage in Times of Conflict: The Case of Syria; 25. Iraq: Creative Destruction and

José Antonio González Zarandona holds a PhD in Art History, Archaeology and Heritage Studies from the University of Melbourne. He has held fellowships from the British Academy and Columbia University. His latest book is Murujuga: Rock Art, Heritage and Landscape Iconoclasm. Antonio researches the intersections between heritage, art and media. He has published widely on heritage destruction and iconoclasm in Australia, Iraq, Syria, Myanmar, Mexico, videogames and Google.

Emma Cunliffe holds a PhD in Archaeology from Durham University, where she studied site damage in Syria. She is a research associate in the UNESCO Chair in Cultural Property Protection and Peace at Newcastle University (UK) and part of the Secretariat for Blue Shield International, the NGO named in the 1999 Second Protocol as an advisory body to UNESCO in matters of armed conflict. She is also the Secretary for the UK National Committee. She teaches cultural property protection for students, heritage professionals, and armed forces, and provides CPP subject matter expertise on military exercises.

Melathi Saldin is Project Officer (Enhancing Digital Participation Amongst Refugee and Migrant Background Youth) at the Alfred Deakin Institute for Citizenship and Globalisation, Deakin University, Australia. She has a PhD in Cultural Heritage Studies (Deakin University), a BA (Hons) and MPhil in Archaeology (University of Kelaniya, Sri Lanka). Melathi¿s research looks at the politicisation of heritage and archaeology across Asia and the potential of heritage for resilience building in communities recovering from war.