The Year of the Flood
A novel
(Sprache: Englisch)
Alles menschliche Leben auf Erden ist durch eine wasserlose Flut zerstört. Nur zwei Frauen haben die Katastrophe überlebt...
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Alles menschliche Leben auf Erden ist durch eine wasserlose Flut zerstört. Nur zwei Frauen haben die Katastrophe überlebt...
Klappentext zu „The Year of the Flood “
The long-awaited new novel from Margaret Atwood. The Year of the Flood is a dystopic masterpiece and a testament to her visionary power. The times and species have been changing at a rapid rate, and the social compact is wearing as thin as environmental stability. Adam One, the kindly leader of the God's Gardeners - a religion devoted to the melding of science and religion, as well as the preservation of all plant and animal life - has long predicted a natural disaster that will alter Earth as we know it. Now it has occurred, obliterating most human life. Two women have survived: Ren, a young trapeze dancer locked inside the high-end sex club Scales and Tails, and Toby, a God's Gardener barricaded inside a luxurious spa where many of the treatments are edible.
Have others survived? Ren's bioartist friend Amanda? Zeb, her eco-fighter stepfather? Her onetime lover, Jimmy? Or the murderous Painballers, survivors of the mutual-elimination Painball prison? Not to mention the shadowy, corrupt policing force of the ruling powers . . .
Meanwhile, gene-spliced life forms are proliferating: the lion/lamb blends, the Mo'hair sheep with human hair, the pigs with human brain tissue. As Adam One and his intrepid hemp-clad band make their way through this strange new world, Ren and Toby will have to decide on their next move. They can't stay locked away . . .
By turns dark, tender, violent, thoughtful, and uneasily hilarious, The Year of the Flood is Atwood at her most brilliant and inventive.
Lese-Probe zu „The Year of the Flood “
1Toby. Year Twenty-five, the Year of the Flood.In the early morning Toby climbs up to the rooftop to watch the sunrise. She uses a mop handle for balance: the elevator stopped working some time ago and the back stairs are slick with damp, so if she slips and topples there won't be anyone to pick her up. As the first heat hits, mist rises from among the swathe of trees between her and the derelict city. The air smells faintly of burning, a smell of caramel and tar and rancid barbecues, and the ashy but greasy smell of a garbage-dump fire after it's been raining. The abandoned towers in the distance are like the coral of an ancient reef--bleached and colourless, devoid of life. There still is life, however. Birds chirp; sparrows, they must be. Their small voices are clear and sharp, nails on glass: there's no longer any sound of traffic to drown them out. Do they notice that quietness, the absence of motors? If so, are they happier? Toby has no idea. Unlike some of the other Gardeners--the more wild-eyed or possibly overdosed ones--she has never been under the illusion that she can converse with birds. The sun brightens in the east, reddening the blue-grey haze that marks the distant ocean. The vultures roosting on hydro poles fan out their wings to dry them, opening themselves like black umbrellas. One and then another lifts off on the thermals and spirals upwards. If they plummet suddenly, it means they've spotted carrion. Vultures are our friends, the Gardeners used to teach. They purify the earth. They are God's necessary dark Angels of bodily dissolution. Imagine how terrible it would be if there were no death!Do I still believe this? Toby wonders. Everything is different up close.
The rooftop has some planters, their ornamental running wild; it has a few fake-wood benches. It used to have a sun canopy for cocktail hour, but that's been blown away. Toby sits on one of the benches to survey the grounds. She lifts her binoculars, scanning from left to right.
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The driveway, with its lumirose borders, untidy now as as frayed hairbrushes, their purple glow fading in the strengthening light. The western entrance, done in pink adobe-style solarskin, the snarl of tangled cars outside the gate. The flowerbeds, choked with sow thistle and burdock, enormous aqua kudzu moths fluttering above them. The fountains, their scallop-shell basins filled with stagnant rainwater. The parking lot with a pink golf cart and two pink AnooYoo minibuses, each with its winking-eye logo. There's a fourth minibus further along the drive, crashed into a tree: there used to be an arm hanging out of the window, but it's gone now.The wide lawns have grown up, tall weeds. There are low irregular mounds beneath the milkweed and fleabane and sorrel, with here and there a swatch of fabric, a glint of bone. That's where the people fell, the ones who'd been running or staggering across the lawn. Toby had watched from the roof, crouched behind one of the planters, but she hadn't watched for long. Some of those people had called for help, as if they'd known she was there. But how could she have helped? The swimming pool has a mottled blanket of algae. Already there are frogs. The herons and the egrets and the peagrets hunt them, at the shallow end. For a while Toby tried to scoop out the small animals that had blundered in and drowned. The luminous green rabbits, the rats, the rakunks, with their striped tails and racoon bandit masks. But now she leaves them alone. Maybe they'll attract fish, somehow.Is she thinking of eating these future fish? Surely not. Surely not yet.She turns to the dark encircling wall of trees and vines and fronds and shrubby undergrowth, probing it with her binoculars. It's surely from there that any danger might come. But what kind of danger? She can't imagine.
In the night there are the usual noises: the faraway barking of dogs, the tittering of mice, the water-pipe notes of the crickets, the occasional grumph of
In the night there are the usual noises: the faraway barking of dogs, the tittering of mice, the water-pipe notes of the crickets, the occasional grumph of
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Autoren-Porträt von Margaret Atwood
Margaret Atwood is the author of more than 30 books of fiction, poetry and critical essays. She lives in Toronto, Canada.
Bibliographische Angaben
- Autor: Margaret Atwood
- 2009, 448 Seiten, Maße: 16,9 x 23,8 cm, Gebunden, Englisch
- Verlag: Doubleday
- ISBN-10: 0385528779
- ISBN-13: 9780385528771
- Erscheinungsdatum: 19.09.2009
Sprache:
Englisch
Pressezitat
"A gripping and visceral book that showcases the pure storytelling talents she displayed with such verve in her 2000 novel, The Blind Assassin."- Michiko Kakutani , The New York Times
"Atwood is funny and clever, such a good writer and real thinker.... As ever with Atwood, it is friendship between women that is noted and celebrated - friendship not without its jealousies but friendship that survives rivalry and disappointment, and has a generosity that at the end of the novel allows for hope.... We don't know how [human nature] will evolve, or if we will evolve at all. The Year of the Flood isn't prophecy, but it is eerily plausible."
- Jeanette Winterson, The New York Time Book Review
"Canada's greatest living novelist undoubtedly knows how to tell a gripping story, as fans of The Blind Assassin and A Handmaid's Tale already know. But here there's a serious message too: Look at what we're doing right now to our world, to nature, to ourselves. If this goes on..."
- The Washington Post
"One of the versatile Atwood's authorial calling cards, as far back as her early novel The Handmaid's Tale , has been that of ruthless investigator, never hesitating to cut to bone in describing real-as-life dystopias. In this work, however, she also appears to be having wild fun, gunning it like a daredevil race-car driver: The Year of the Flood serves as an old-fashioned alarm (moral, ecological), a zombie thriller and a series of swashbuckling pokes at modern institutions.... To Atwood's supreme credit, her story is enthralling.... Memorable characters, a tightly controlled pace and shockingly plausible scenes make it fly - to a mysterious, skin-prickling ending. If Atwood also inspires ways to prevent such a gruesomely likely future, we'll owe her far more than literary admiration."
- San Francisco Chronicle
"Atwood unflinchingly holds aloft the sanctity of life - for all species - and the human quest for love."
- Chicago Sun-Times
" The Year of the Flood
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is timely and gripping.... Atwood creates a totally believable futuristic world in which people, for the most part, are the beasts. Those who have retained their humanity are the outlaws. But no matter what the setting, Atwood just tells a good story, one filled with suspense and even levity."
- USA Today
"Atwood scores a 10 when it comes to creating, from the stragglers of the old one, a whole new world.... Toby, Ren, and their lost-soul friend Amanda, would be sympathetic characters in any setting. That Atwood conjures them into this madcap setting, where vultures open 'like black umbrellas,' misdeeds are punished by kidney removal, and bracelets are made of jellyfish, makes us love them even more."
- Philadelphia Inquirer
" The Year of the Flood consistently does what one expects of any work by Margaret Atwood: It entertains, spins out suspense and rewards a reader's basic impulse, all the while subtly and expertly maintaining its literary respectability."
- Minneapolis Star Tribune
"[ The Year of the Flood ] shows the Nobel Prize-worthy Atwood ... at the pinnacle of her prodigious creative powers. Her weigh-in on the breakdown of the social covenant comes during a time of historic global change that her story eerily both mirrors and foretells."
- Elle Magazine
"There is gallows humor, and then there is Margaret Atwood. The masterful Canadian writer is emerging as literature's queen of the apocalypse. And the dark visions Atwood again summons in The Year of the Flood prove quite illuminating."
- Associated Press
"Profoundly imagined. . . . This is a gutsy and expansive novel, rich with ideas and conceits."
- Publishers Weekly, starred review
"Atwood orchestrates her narratives into a heart-pounding, mysterious and surprisingly touching finale. She enchants us so convincingly that after her spell is over, the 'real' world seems temporarily transformed. The Year of the Flood is both a warning and a gift."
- NPR.org
" Flood 's relen
- USA Today
"Atwood scores a 10 when it comes to creating, from the stragglers of the old one, a whole new world.... Toby, Ren, and their lost-soul friend Amanda, would be sympathetic characters in any setting. That Atwood conjures them into this madcap setting, where vultures open 'like black umbrellas,' misdeeds are punished by kidney removal, and bracelets are made of jellyfish, makes us love them even more."
- Philadelphia Inquirer
" The Year of the Flood consistently does what one expects of any work by Margaret Atwood: It entertains, spins out suspense and rewards a reader's basic impulse, all the while subtly and expertly maintaining its literary respectability."
- Minneapolis Star Tribune
"[ The Year of the Flood ] shows the Nobel Prize-worthy Atwood ... at the pinnacle of her prodigious creative powers. Her weigh-in on the breakdown of the social covenant comes during a time of historic global change that her story eerily both mirrors and foretells."
- Elle Magazine
"There is gallows humor, and then there is Margaret Atwood. The masterful Canadian writer is emerging as literature's queen of the apocalypse. And the dark visions Atwood again summons in The Year of the Flood prove quite illuminating."
- Associated Press
"Profoundly imagined. . . . This is a gutsy and expansive novel, rich with ideas and conceits."
- Publishers Weekly, starred review
"Atwood orchestrates her narratives into a heart-pounding, mysterious and surprisingly touching finale. She enchants us so convincingly that after her spell is over, the 'real' world seems temporarily transformed. The Year of the Flood is both a warning and a gift."
- NPR.org
" Flood 's relen
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