Theatre & History
(Sprache: Englisch)
This provocative book meets the supposedly 'live' practices of performance and the 'no-longer-live' historical past at their own dangerous crossroads. Focussing on the 'and' of the title, it addresses the tangled relations between the terms, practices,...
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This provocative book meets the supposedly 'live' practices of performance and the 'no-longer-live' historical past at their own dangerous crossroads. Focussing on the 'and' of the title, it addresses the tangled relations between the terms, practices, ideas, and aims embedded in these compatriot - but often oppositional - arts and acts of time.
Klappentext zu „Theatre & History “
An accessible, provocative introduction to the tangled relationship between two seeming opposites, that suggests theatre and history are more interweaved than is often acknowledged
Inhaltsverzeichnis zu „Theatre & History “
Series Editors' Preface.- 1. Theatre And History.- 2. 'And'.- .- 3. 'History'.- 4. 'Theatre'.- 5. History and the Theatre Artist.- 6. The Anti-theatrical Prejudice.- 7. The Anti-intellectual Prejudice.- 8. Theatre and the Historian.- 9. The Problem with Passions.- 10. The Problem with Archives.- 11. Whose History is Theatre's History?.- 12. Of Knives and Blood.- Bibliography.- Index.
Autoren-Porträt von Rebecca Schneider
Rebecca Schneider is Professor of Theatre Arts and Performance Studies at Brown University, USA. She is the author of The Explicit Body in Performance and Performing Remains: Art and War in Times of Theatrical Reenactment, as well as numerous essays. She is the Consortium Editor for The Drama Review: A Journal of Performance Studies, edited by Richard Schechner, and is co-editor with David Krasner of the book series Theater: Theory/Text/Performance.
Bibliographische Angaben
- Autor: Rebecca Schneider
- 2014, 2014., 116 Seiten, Maße: 11,1 x 17,8 cm, Kartoniert (TB), Englisch
- Verlag: Macmillan Education
- ISBN-10: 0230246613
- ISBN-13: 9780230246614
- Erscheinungsdatum: 02.10.2014
Sprache:
Englisch
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