Things They Lost
A Novel
(Sprache: Englisch)
Named a Most Anticipated Book by Vogue and Vulture
"Alternately whimsical, sweet, and dark," this astonishing debut novel about a lonely girl waiting for her mother "brim[s] with uncompromisingly African magical realism" (The New York Times).
Ayosa...
"Alternately whimsical, sweet, and dark," this astonishing debut novel about a lonely girl waiting for her mother "brim[s] with uncompromisingly African magical realism" (The New York Times).
Ayosa...
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Klappentext zu „Things They Lost “
Named a Most Anticipated Book by Vogue and Vulture"Alternately whimsical, sweet, and dark," this astonishing debut novel about a lonely girl waiting for her mother "brim[s] with uncompromisingly African magical realism" (The New York Times).
Ayosa is a wandering spirit?joyous, exuberant, filled to the brim with longing. Her only companions in her grandmother's crumbling house are as lonely as Ayosa herself: the ghostly Fatumas, whose eyes are the size of bay windows, who teach her to dance and wail at the death news; the Jolly-Annas, cruel birds who cover their solitude with spiteful laughter; the milkman, who never greets Ayosa and whose milk tastes of mud; and Sindano, the kind owner of a café no one ever visits. Unexpectedly, miraculously, one day Ayosa finds a friend. Yet she is always fixed on her beautiful mama, Nabumbo Promise: a mysterious and aloof photographer, she comes and goes as she pleases, with no apology or warning.
Set at the intersection of the spirit world and the human one, Things They Lost sets out a rich and magical vision of "girlhood as a time of complexity, laced with unparalleled creativity and expansion" (Vogue). Heartbreaking, elegant, and written in "giddily exuberant prose" (Financial Times), it's a story about connection, coming-of-age, and the dizzying dualities of love at its most intoxicating and all-encompassing.
Lese-Probe zu „Things They Lost “
Chapter 1 December staggered in like a weary mud-encrusted vagabond who had been on her way to someplace else but whose legs had buckled and now she was here. On the second, which in Mapeli Town was known as Epitaph Day, the townspeople awoke while the sky was still silver, still tinged with ruffles of pink and blue. They gargled salt water. They greased their elbows. They tucked a flower in their hair or pinned it on their lapel. They marched to the schoolhouse, where the flag flapped at half-mast for all those who had drowned in the river or choked on a fishbone or stepped on a puff adder while walking to the marketplace. With eyes bleary and heads bowed, the townspeople thought of all the ones they had ever lost. They sang Luwere-luwere-luwere until their voices crackled. They murmured, Go well, Opembe, or, Greet our people, Makokha.
Then Mama Chibwire opened her shack and the townspeople gathered inside. They sat on the wooden benches with strings of sunlight spilling through holes in the tin roof and burning their eyes. They hunched over their knees and exchanged spittle on the unwashed mouths of their brew mugs. They called all their dead ones by name. There was Netia, who had sometimes chewed on shards of broken glass as though these shards were roasted groundnuts. There was Dora Petronilla, who had never bought any salt of her own, who always knocked on neighbors' doors and said, Abane! I forgot again! Will you help me with some? There was Mwatha, who, after a treacherous pregnancy, birthed a reticulated python. There was Sagana, whose mouth had only wanted to eat wild, wood-rotting fungi. There was Halima, who had sold fried termites by the roadside, and Wambua, who had been born with a patch of gangrene on his calf, and Njambi, who had liked to stain her teeth red with henna.
The townspeople shook their heads, their hearts hurting afresh. Akh! they said. Death is tart, and death is cloying! And they sobbed into their brew mugs. And their
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hands sought out other fingers to clasp. And their arms sought out other arms to cling to. They had Lost. Later, when all the dead ones had been thought of in turn, and when all the brew in Mama Chibwire's barrels was gone, Sospeter Were brought out his PA system and radio cassette player, and the townspeople tied cardigans round their waists and writhed to It's Disco Time with Samba Mapangala & Orchestre Virunga. In that moment, with the ground throbbing beneath the soles of their feet, and with sweat trickling down the vales of their backs, the townspeople thought to themselves that they too could not wait to die, could not wait to leave behind people who would gather each Epitaph Day and think of them like this.
Some townspeople did not observe Epitaph Day. They had not lost anyone that year, or the ones they had lost were not worth remembering at all, or they had little inclination to share in the town's collective memory and rituals of grief. These people sat groggily on the edges of their beds. They stretched to thaw the cluster of knots in their shoulders. They tugged at their bedspreads and wriggled out of their sleeping clothes. They listened to the morning news-about Benazir Bhutto being sworn in as prime minister of Pakistan, and about the nuclear tests in French Polynesia. They listened to news about the flooding at the Nyando River in Kisumu, about the landslides in Marsabit, about the submerged maize crops in the Kericho Highlands. The radioman said that 1988 was the wettest year the country had seen in more than two decades.
Mako! the townspeople murmured to themselves, their mouths wide with dismay. They wondered which petty godhead had been offended and was now
Some townspeople did not observe Epitaph Day. They had not lost anyone that year, or the ones they had lost were not worth remembering at all, or they had little inclination to share in the town's collective memory and rituals of grief. These people sat groggily on the edges of their beds. They stretched to thaw the cluster of knots in their shoulders. They tugged at their bedspreads and wriggled out of their sleeping clothes. They listened to the morning news-about Benazir Bhutto being sworn in as prime minister of Pakistan, and about the nuclear tests in French Polynesia. They listened to news about the flooding at the Nyando River in Kisumu, about the landslides in Marsabit, about the submerged maize crops in the Kericho Highlands. The radioman said that 1988 was the wettest year the country had seen in more than two decades.
Mako! the townspeople murmured to themselves, their mouths wide with dismay. They wondered which petty godhead had been offended and was now
... weniger
Autoren-Porträt von Okwiri Oduor
Okwiri Oduor was born in Nairobi, Kenya. Her short story "My Father's Head" won the 2014 Caine Prize for African Writing. Her work has appeared or is forthcoming in Granta, The New Inquiry, Kwani, and elsewhere. She has been a fellow at MacDowell and Art Omi and a visiting writer at the Lannan Center. Oduor has an MFA in creative writing from the Iowa Writers' Workshop. She currently lives in Germany.
Bibliographische Angaben
- Autor: Okwiri Oduor
- 2022, 368 Seiten, Maße: 14 x 21,3 cm, Gebunden, Englisch
- Verlag: Scribner
- ISBN-10: 1982102578
- ISBN-13: 9781982102579
- Erscheinungsdatum: 12.04.2022
Sprache:
Englisch
Pressezitat
"Astonishing ... Oduor has produced page after page of gorgeous, elegiac prose. Dense and rich as a black Christmas cake and alternately whimsical, sweet and dark, Things They Lost is a complex work, brimming with uncompromisingly African magical realism."-New York Times Book Review
"In giddily exuberant prose, Oduor gradually reveals a terrifying story of generations of maternal abuse and dysfunction."
-Financial Times
"[A] story that injects the fantastic into the mystery of Kenya's disappearing girls ... [Things They Lost] will appeal to any reader who has survived or wants to understand girlhood as a time of complexity, laced with unparalleled creativity and expansion."
-Vogue
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