Tuesdays with Morrie
An old man, a young man, and life's greatest lesson
(Sprache: Englisch)
Dieses ungewöhnliche Buch berichtet von der außergewöhnlichen Beziehung zwischen Mitch und seinem ehemaligen College-Professor Morrie Schwartz. Als Mitch erfährt, dass sein Mentor schwer erkrankt ist, besucht er ihn von da an jeden Dienstag. In diesen...
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Dieses ungewöhnliche Buch berichtet von der außergewöhnlichen Beziehung zwischen Mitch und seinem ehemaligen College-Professor Morrie Schwartz. Als Mitch erfährt, dass sein Mentor schwer erkrankt ist, besucht er ihn von da an jeden Dienstag. In diesen Dienstagsgesprächen lernt Mitch in einer letzten "Vorlesung", die Welt mit ganz anderen Augen zu sehen.
Klappentext zu „Tuesdays with Morrie “
Maybe it was a grandparent, or a teacher, or a colleague. Someone older, patient and wise, who understood you when you were young and searching, helped you see the world as a more profound place, gave you sound advice to help you make your way through it.For Mitch Albom, that person was Morrie Schwartz, his college professor from nearly twenty years ago.
Maybe, like Mitch, you lost track of this mentor as you made your way, and the insights faded, and the world seemed colder. Wouldn't you like to see that person again, ask the bigger questions that still haunt you, receive wisdom for your busy life today the way you once did when you were younger?
Mitch Albom had that second chance. He rediscovered Morrie in the last months of the older man's life. Knowing he was dying, Morrie visited with Mitch in his study every Tuesday, just as they used to back in college. Their rekindled relationship turned into one final "class": lessons in how to live.
Tuesdays with Morrie is a magical chronicle of their time together, through which Mitch shares Morrie's lasting gift with the world.
Lese-Probe zu „Tuesdays with Morrie “
The CurriculumThe last class of my old professor's life took place once a week in his house, by a window in the study where he could watch a small hibiscus plant shed its pink leaves. The class met on Tuesdays. It began after breakfast. The subject was The Meaning of Life. It was taught from experience.
No grades were given, but there were oral exams each week. You were expected to respond to questions, and you were expected to pose questions of your own. You were also required to perform physical tasks now and then, such as lifting the professor's head to a comfortable spot on the pillow or placing his glasses on the bridge of his nose. Kissing him good-bye earned you extra credit.
No books were required, yet many topics were covered, including love, work, community, family, aging, forgiveness, and, finally, death. The last lecture was brief, only a few words.
A funeral was held in lieu of graduation.
Although no final exam was given, you were expected to produce one long paper on what was learned. That paper is presented here.
The last class of my old professor's life had only one student.
I was the student.
It is the late spring of 1979, a hot, sticky Saturday afternoon. Hundreds of us sit together, side by side, in rows of wooden folding chairs on the main campus lawn. We wear blue nylon robes. We listen impatiently to long speeches. When the ceremony is over, we throw our caps in the air, and we are officially graduated from college, the senior class of Brandeis University in the city of Waltham, Massachusetts. For many of us, the curtain has just come down on childhood.
Afterward, I find Morrie Schwartz, my favorite professor, and introduce him to my parents. He is a small man who takes small steps, as if a strong wind could, at any time, whisk him up into the clouds. In his graduation day robe, he looks like a cross between a biblical prophet
... mehr
and a Christmas elf. He has sparkling blue-green eyes, thinning silver hair that spills onto his forehead, big ears, a triangular nose, and tufts of graying eyebrows. Although his teeth are crooked and his lower ones are slanted back--as if someone had once punched them in--when he smiles it's as if you'd just told him the first joke on earth.
He tells my parents how I took every class he taught. He tells them, "You have a special boy here." Embarrassed, I look at my feet. Before we leave, I hand my professor a present, a tan briefcase with his initials on the front. I bought this the day before at a shopping mall. I didn't want to forget him. Maybe I didn't want him to forget me.
"Mitch, you are one of the good ones," he says, admiring the briefcase. Then he hugs me. I feel his thin arms around my back. I am taller than he is, and when he holds me, I feel awkward, older, as if I were the parent and he were the child.
He asks if I will stay in touch, and without hesitation I say, "Of course."
When he steps back, I see that he is crying.
The Syllabus
His death sentence came in the summer of 1994. Looking back, Morrie knew something bad was coming long before that. He knew it the day he gave up dancing.
He had always been a dancer, my old professor. The music didn't matter. Rock and roll, big band, the blues. He loved them all. He would close his eyes and with a blissful smile begin to move to his own sense of rhythm. It wasn't always pretty. But then, he didn't worry about a partner. Morrie danced by himself.
He used to go to this church in Harvard Square every Wednesday night for something called "Dance Free." They had flashing lights and booming speakers and Morrie would wander in among the mostly student crowd
He tells my parents how I took every class he taught. He tells them, "You have a special boy here." Embarrassed, I look at my feet. Before we leave, I hand my professor a present, a tan briefcase with his initials on the front. I bought this the day before at a shopping mall. I didn't want to forget him. Maybe I didn't want him to forget me.
"Mitch, you are one of the good ones," he says, admiring the briefcase. Then he hugs me. I feel his thin arms around my back. I am taller than he is, and when he holds me, I feel awkward, older, as if I were the parent and he were the child.
He asks if I will stay in touch, and without hesitation I say, "Of course."
When he steps back, I see that he is crying.
The Syllabus
His death sentence came in the summer of 1994. Looking back, Morrie knew something bad was coming long before that. He knew it the day he gave up dancing.
He had always been a dancer, my old professor. The music didn't matter. Rock and roll, big band, the blues. He loved them all. He would close his eyes and with a blissful smile begin to move to his own sense of rhythm. It wasn't always pretty. But then, he didn't worry about a partner. Morrie danced by himself.
He used to go to this church in Harvard Square every Wednesday night for something called "Dance Free." They had flashing lights and booming speakers and Morrie would wander in among the mostly student crowd
... weniger
Autoren-Porträt von Mitch Albom
Mitch Albom writes for the Detroit Free Press, and has been voted America's No. 1 sports columnist ten times by the Associated Press Sports Editors. Albom, a former professional musician, hosts a daily radio show on WJR in Detroit and appears regularly on ESPN's "The Sports Reporters." He is the author of Bo and Fab Five, both national bestsellers, and has also published four collections of his columns. He lives with his wife, Janine, in Michigan.
Bibliographische Angaben
- Autor: Mitch Albom
- 1998, 208 Seiten, Maße: 10,4 x 17,4 cm, Kartoniert (TB), Englisch
- Verlag: Anchor Books
- ISBN-10: 0385496494
- ISBN-13: 9780385496490
- Erscheinungsdatum: 29.12.1998
Sprache:
Englisch
Pressezitat
Mitch Albom s book is a gift to mankind. Philadelphia InquirerA wonderful book, a story of the heart told by a writer with soul. Los Angeles Times
An extraordinary contribution to the literature of death. Boston Globe
One of those books that kind of sneaked up and grabbed people s hearts over time. Milwaukee Journal Sentinel
An elegantly simple story about a writer getting a second chance to discover life through the death of a friend. Tampa Tribune
As sweet and nourishing as fresh summer corn ... the book begs to be read aloud. USA Today
"This is a sweet book of a man's love for his mentor. It has a stubborn honesty that nourishes the living." Robert Bly, author of Iron John
"A deeply moving account of courage and wisdom, shared by an inveterate mentor looking into the multitextured face of his own death. There is much to be learned by sitting in on this final class." Jon Kabat-Zinn, coauthor of Everyday Blessings and Wherever You Go, There You Are
"All of the saints and Buddhas have taught us that wisdom and compassion are one. Now along comes Morrie, who makes it perfectly plain. His living and dying show us the way. Joanna Bull, Founder and Executive Director of Gilda's Club
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