Ubiquitous Listening
Affect, Attention, and Distributed Subjectivity
(Sprache: Englisch)
Through case studies and close readings that blend industry history with apparatus theory, psychoanalysis with platform studies, and production history with postmodern philosophy, Killer Tapes and Shattered Screens unearths a genealogy of post-cinematic...
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Klappentext zu „Ubiquitous Listening “
Through case studies and close readings that blend industry history with apparatus theory, psychoanalysis with platform studies, and production history with postmodern philosophy, Killer Tapes and Shattered Screens unearths a genealogy of post-cinematic spectatorship in horror movies, thrillers, and other exploitation genres. From Night of the Living Dead (1968) through Paranormal Activity (2009), these movies pursue their spectator from one platform to another, adapting to suit new exhibition norms and cultural concerns in the evolution of the video subject.
Inhaltsverzeichnis zu „Ubiquitous Listening “
Acknowledgments Introduction 1. Ubiquitous Listening 2. Listening to Video Art and the Problem of Too Many Homelands 3. The Sound of a New Film Form 4. Musicals Hit the Small Screen: Attention, Listening, and TV Musical Episodes 5. Improvising Diasporan Identities: Armenian Jazz 6. Would You Like Some World Music with Your Latte?: Starbucks, Putumayo, and Distributed Tourism Conclusion Works Cited Notes Index
Autoren-Porträt von Anahid Kassabian
Caetlin Benson-Allott is Assistant Professor of English and Film and Media Studies at Georgetown University.
Bibliographische Angaben
- Autor: Anahid Kassabian
- 182 Seiten, Maße: 14,9 x 22,8 cm, Kartoniert (TB), Englisch
- Verlag: University of California Press
- ISBN-10: 0520275160
- ISBN-13: 9780520275164
- Erscheinungsdatum: 01.03.2013
Sprache:
Englisch
Rezension zu „Ubiquitous Listening “
"We have needed a book like this for decades: a new understanding of film spectatorship in light of home video. Caetlin Benson-Allott offers a smart and often unexpected reconsideration of watching movies on small screens that ingeniously brings together film theory, industrial history, and horror flicks, weaving a complex yet crystalline account. This ambitious book deserves to be a new foundational text. " - Lucas Hilderbrand, author of Inherent Vice: Bootleg Histories of Videotape and Copyright
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