Women Photograph: What We See

Foreword by Kat Chow
Introduction by Daniella Zalcman

01 Identity
02 Place
03 Conflict
04 Reclamation

The 100 Photographers:
Adam, Rhiannon
Addario, Lynsey
Agusti, Luján
Al-Arashi, Yumna
Al-Asaker, Maha
Aliaga Ticona, Sara
Alsultan, Tasneem
Arévalo Gosen, Ana Maria 
Báez, Gabriella N. 
Barbutes, Tracy
Beal, Endia
Berman, Nina
Bhaskar, Gabriela
Blast, Delphine
Brinson, Kendrick
Bronstein, Paula
Carballo, Koral
Cárdenas, Verónica G.
Chor, Laurel
Cruz Bacani, Xyza
Dass, Angélica
de Middel, Cristina
Dhaliwal, Meghan
Dörr, Luisa
Dugan, Jess T.
Duong, Yen
Effendi, Rena
Eid, Kholood
Eldalil, Rehab
Emezi, Yagazie
Fabián, Citlali
Fezehai, Malin
Flanagan, Annie
Flash, Lola
Fondriest, Terra
Garcia, Mariceu Erthal
Ghanbari, Mojgan
Golden
Guzy, Carol
Habjouqa, Tanya
Harib, Nada
Hayashi, Noriko
Hayeri, Kiana
Inruh, Irina
Ireland, Susannah
Irvine, Tailyr
JEB (Joan E. Biren)
Johnson, Lynn
Kang, Mary
Keyssar, Natalie
Khan, Gulshan
Khandelwal, Saumya
Kosofsky, Isadora
Koyoltzintli
Larsen, Erika
Laub, Gillian
Laula, Nyimas
Locher, Olivia
Matar, Rania
McGarvey, Maddie
Meiselas, Susan
Mokri, Clara
Mollenkof, Bethany
Morris-Cafiero, Haley
Morton, Rosem
Muirhead, Nicola
Naccache, Natalie
Pabst, Sarah
Parafeniuk, Oksana
Philomène, Laurence
Pixley, Tara
Plunkett, Suzanne
Poh, Charmaine
Rago, Rozette
Rajaonary, Miora
Reyes Morales, Hannah
Romero, Cara
Rosella, Raphaela 
Sadurni, Sumy
Sakaguchi, Haruka
Schmitz, Charlotte
Seaman, Camille
Sharma, Smita
Sim, Chi Yin
Skovranova, Michaela
Spitzer, Kali
Sulakauri, Daro
Taylor-Lind, Anastasia
Tung, Nicole
Vera, Alicia
Villasana, Danielle
Vitale, Ami
Waguih, Asmaa
Waiswa, Sarah
Willis, Deb
Yoon, Arin
Yoon, Hannah
Yvonne, Etinosa
Zalanga, Patience
Zehbrauskas, Adriana

Daniella Zalcman is the founder of Women Photograph, a global, US-based non-profit that launched in 2017 to elevate the voices of women and nonbinary visual journalists. The private database includes more than 1,000 independent documentary photographers based in 100+ countries. Their mission is to shift the makeup of the photojournalism community and ensure that the industry’s chief storytellers are as diverse as the communities they hope to represent. They believe that inclusion and equity work must be fully intersectional, and are committed to supporting and highlighting photographers across the spectrum of all identities.

Sara Ickow is the Senior Manager, Exhibitions and Collections at the International Center of Photography. Previously, she worked as a Curatorial Assistant and Collections Manager with the Smithsonian's National Portrait Gallery in their Department of Photographs and as a freelance collections manager. She holds an MA in art history from NYU's Institute of Fine Arts, where she studied photography and time-based media art and wrote her thesis on Walker Evans in the 1930s.