A Companion to Eastern European Cinemas / CNCZ - The Wiley-Blackwell Companions to National Cinemas (PDF)

Notes on the Editor and Contributors viii Foreword xv Dina Iordanova 1 Introduction: Eastern European Cinema From No End to the End (As We Know It) 1 Anikó Imre Part I New Theoretical and Critical Frameworks 23 2 Body Horror and Post-Socialist Cinema: György Pálfi's Taxidermia 25 Steven Shaviro 3 El perro negro : Transnational Readings of Database Documentaries from Spain 41 Marsha Kinder 4 Did Somebody Say Communism in the Classroom? or The Value of Analyzing Totality in Recent Serbian Cinema 63 Zoran Samardzija 5 Laughing into an Abyss: Cinema and Balkanization 77 Kriss Ravetto-Biagioli 6 Jewish Identities and Generational Perspectives 101 Catherine Portuges 7 Aftereffects of 1989: Corneliu Porumboiu's 12:08 East of Bucharest (2006) and Romanian Cinema 125 Alice Bardan 8 Cinema Beyond Borders: Slovenian Cinema in a World Context 148 Meta Mazaj and Shekhar Deshpande Part II Historical and Spatial Redefinitions 167 9 Center and Periphery, or How Karel Vachek Formed a New Government 169 Alice Lovejoy 10 The Polish Black Series Documentary and the British Free Cinema Movement 183 Bjørn Sørenssen 11 Socialists in Outer Space: East German Film's Venusian Adventure 201 Stefan Soldovieri 12 Red Shift: New Albanian Cinema and its Dialogue with the Old 224 Bruce Williams 13 National Space, (Trans)National Cinema: Estonian Film in the 1960s 244 Eva Näripea 14 For the Peace, For a New Man, For a Better World! Italian Leftist Culture and Czechoslovak Cinema, 1945-1968 265 Francesco Pitassio Part III Aesthetic (Re)visions 289 15 The Impossible Polish New Wave and its Accursed Émigré Auteurs: Borowczyk, Pola?ski, Skolimowski, and ?u?awski 291 Michael Goddard 16 Documentary and Industrial Decline in Hungary: The "Ózd Series" of Tamás Almási 311 John Cunningham 17 Investigating the Past, Envisioning the Future: An Exploration of Post-1991 Latvian Documentary 325 Maruta Z. Vitols 18 Eastern European Historical Epics: Genre Cinema and the Visualization of a Heroic National Past 344

Anikó Imre is an Associate Professor of Critical
Studies at University of Southern California School of Cinematic
Arts. Her books include East European Cinemas (2005);
Transnational Feminism in Film and Media (co-authored with
Katarzyna Marciniak and Áine O'Healy, 2007); Identity
Games: Globalization and the Transformation of Media Cultures in
the New Europe (2009); and Popular Television in Eastern and
Southern Europe (co-authored with Timothy Havens and Kati
Lustyik, 2011). She is also co-editor of the Global Cinemas
book series.

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