Ottoman Empire and European Theatre V / Ottomania (PDF)
Gluck and the Turkish Subject in Ballet and Dance
(Sprache: Englisch)
Dancing Turks: 'Turkish' Ballets and Dances on 17th- and 18th-Century European Stages
The fifth volume of the series "Ottoman Empire and European Theatre" focuses on "The Turkish Subject in Ballet and Dance - from the Seventeenth Century to the Time of...
The fifth volume of the series "Ottoman Empire and European Theatre" focuses on "The Turkish Subject in Ballet and Dance - from the Seventeenth Century to the Time of...
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Dancing Turks: 'Turkish' Ballets and Dances on 17th- and 18th-Century European Stages
The fifth volume of the series "Ottoman Empire and European Theatre" focuses on "The Turkish Subject in Ballet and Dance - from the Seventeenth Century to the Time of Christoph W. Gluck (1714-1787). The Turkish theme was a popular topic on European ballet stages throughout the seventeenth- and eighteenth-century. Most influential choreographers had 'Turkish' ballets in their repertoire. Taking Ch. W. Gluck and Gasparo Angiolini, successful composer and choreographer of ballets at the French theatre in Vienna, as a departure point, the aim of the publication is to discuss the topic from a historical perspective, to present new findings, and to introduce the latest scholarly achievements of the research field.
Contributions by Emre Araci, Bruce Alan Brown, David Chataignier, Sibylle Dahms, Vera Grund, Bert Gstettner, Bent Holm, Michael Hüttler, Evren Kutlay, Dóra Kiss, Laura Naudeix, Strother Purdy, Katalin Rumpler, Käthe Springer-Dissmann, Dirk Van Waelderen, Hans Ernst Weidinger
The fifth volume of the series "Ottoman Empire and European Theatre" focuses on "The Turkish Subject in Ballet and Dance - from the Seventeenth Century to the Time of Christoph W. Gluck (1714-1787). The Turkish theme was a popular topic on European ballet stages throughout the seventeenth- and eighteenth-century. Most influential choreographers had 'Turkish' ballets in their repertoire. Taking Ch. W. Gluck and Gasparo Angiolini, successful composer and choreographer of ballets at the French theatre in Vienna, as a departure point, the aim of the publication is to discuss the topic from a historical perspective, to present new findings, and to introduce the latest scholarly achievements of the research field.
Contributions by Emre Araci, Bruce Alan Brown, David Chataignier, Sibylle Dahms, Vera Grund, Bert Gstettner, Bent Holm, Michael Hüttler, Evren Kutlay, Dóra Kiss, Laura Naudeix, Strother Purdy, Katalin Rumpler, Käthe Springer-Dissmann, Dirk Van Waelderen, Hans Ernst Weidinger
Autoren-Porträt
Michael Hüttler, Dr. phil., studied theatre, film and media studies as well as journalism and communication studies at Vienna University; he has been conducting research for the DON JUAN ARCHIV WIEN since 2001. From 2007 to 2010 he has been Director of DON JUAN ARCHIV WIEN and since 2011 he is Director of HOLLITZER Verlag.Hans Ernst Weidinger, Gewerke, Dr. phil., studied law, classical languages, archeology, theatre studies and art history at Vienna University, and dance, voice and piano in Vienna and Prague. Since the 1970s he has dedicated himself to the history of Don Juan materials from its origins until the end of the eighteenth century. He founded the DON JUAN ARCHIV WIEN in the anniversary year 1987.
Both editors are conveners of the international symposia series "Ottoman Empire and European Theatre", which has been held regularly since 2008 in Istanbul and Vienna and whose proceedings are published in the book series "Ottomania".
Bibliographische Angaben
- 2019, 328 Seiten, Englisch
- Herausgegeben: Michael Hüttler, Hans Ernst Weidinger
- Verlag: Hollitzer Wissenschaftsverlag
- ISBN-10: 3990120751
- ISBN-13: 9783990120750
- Erscheinungsdatum: 22.05.2019
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