Subversive Adaptations / Palgrave Studies in Adaptation and Visual Culture (PDF)
Czech Literature on Screen behind the Iron Curtain
(Sprache: Englisch)
This book deals with film adaptations of literary works created in Communist Czechoslovakia between 1954 and 1969, such as The Fabulous World of Jules Verne (Zeman 1958), Marketa Lazarová (Vlácil 1967), and The Joke (JireS 1969). Bubenícek treats a...
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This book deals with film adaptations of literary works created in Communist Czechoslovakia between 1954 and 1969, such as The Fabulous World of Jules Verne (Zeman 1958), Marketa Lazarová (Vlácil 1967), and The Joke (JireS 1969). Bubenícek treats a historically significant period around which myths and misinformation have arisen. The book is broad in scope and examines aesthetic, political, social, and cultural issues. It sets out to disprove the notion that the state-controlled film industry behind the Iron Curtain produced only aesthetically uniform works pandering to official ideology. Bubenícek's main aim is to show how the political situation of Communist Czechoslovakia moulded the film adaptations created there, but also how these same works, in turn, shaped the sociocultural conditions of the 1950s and the 1960s.
Autoren-Porträt von Petr Bubenícek
Petr Bubenícek is Assistant Professor in the Department of Czech Literature and Library Studies at Masaryk University, Czech Republic. He specializes in the history of modern Czech literature, literary interpretation, film adaptation, and intermediality. He has published several studies, in addition to editing three issues on film adaptation for the journals Ceská literatura, Iluminace, and Pandora.
Bibliographische Angaben
- Autor: Petr Bubenícek
- 2017, 1st ed. 2017, 224 Seiten, Englisch
- Verlag: Springer-Verlag GmbH
- ISBN-10: 3319409611
- ISBN-13: 9783319409610
- Erscheinungsdatum: 07.11.2017
Abhängig von Bildschirmgröße und eingestellter Schriftgröße kann die Seitenzahl auf Ihrem Lesegerät variieren.
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- Größe: 3.69 MB
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Englisch
Pressezitat
“Throughout this tour of post-war Czech cinema, Bubeníček is an urbane, perceptive, and exceptionally well-informed guide. He is a rewardingly subtle analyst of his country’s political history, its literary and cinematic landmarks, and especially the visual and auditory texture of the films in which he takes such contagious delight. … Bubeníček’s expositions are as illuminating as they are thorough … .” (Thomas Leitch, Adaptation, Vol. 11 (03), 2018)
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