Women's Writing in Colombia / Breaking Feminist Waves (PDF)

Name: Women's Writing in Colombia / Breaking Feminist Waves
Brand: Springer-Verlag GmbH
SKU: 103983581
Price: 96.29 EUR
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An Alternative History (Sprache: Englisch)

Autor: Cherilyn Elston

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Women's Writing in Colombia / Breaking Feminist Waves, Cherilyn Elston

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This book provides an original and exciting analysis of Colombian women's writing and its relationship to feminist history from the 1970s to the present. In a period in which questions surrounding women and gender are often sidelined in the academic arena, it argues that feminism has been an important and intrinsic part of contemporary Colombian history. Focusing on understudied literary and non-literary texts written by Colombian women, it traces the particularities of Colombian feminism, showing how it has been closely entwined with left-wing politics and the country's history of violence. This book therefore rethinks the place of feminism in Latin American history and its relationship to feminisms elsewhere, challenging many of the predominant critical paradigms used to understand Latin American literature and culture.

Autoren-Porträt von Cherilyn Elston

Cherilyn Elston researches Colombian history, culture, and politics. She completed her doctorate in Latin American Studies at the University of Cambridge, UK, and currently works in the NGO sector on human rights and transitional justice in Colombia.

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Bibliographische Angaben

Autor: Cherilyn Elston
2016, 1st ed. 2016, 242 Seiten, Englisch
Verlag: Springer-Verlag GmbH
ISBN-10: 3319432613
ISBN-13: 9783319432618
Erscheinungsdatum: 20.12.2016

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Größe: 2.12 MB
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“Women’s Writing in Colombia is a valuable contribution to the field because it provides readers with an overview of the most relevant contemporary women writers in Colombia … . The well-researched and analytical connections between historical events and women’s literary production reveals the link between history and feminism. This valuable approach contextualizes the field inside the Colombian literary canon.” (Gina Ponce de León, Tulsa Studies in Women’s Literature, Vol. 37 (2), 2018)

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