Intersectionalities of Class in Early Modern English Drama
(Sprache: Englisch)
Defining class broadly as an identity categorization based on status, wealth, family, bloodlines, and occupation, Intersectionalities of Class in Early Modern English Drama e xplores class as a complicated, contingent phenomenon modified by a wider range of...
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Defining class broadly as an identity categorization based on status, wealth, family, bloodlines, and occupation, Intersectionalities of Class in Early Modern English Drama e xplores class as a complicated, contingent phenomenon modified by a wider range of social categories apart from those defining terms, including, but not limited to, race, gender, religion, and sexuality. This collection of essays - featuring a range of international contributors - explores a broad range of questions about the intersectional factors influencing class status in early modern England, including how cultural behaviors and non-class social categories affected status and social mobility, in what ways hegemonies of elite prerogatives could be disrupted or entrenched by the myriad of intersectional factors that informed social identity, and how class position informed the embodied experience and expression of affect, gender, sexuality, and race as well as relationships to place, space, land, and the natural and civic worlds.Inhaltsverzeichnis zu „Intersectionalities of Class in Early Modern English Drama “
Introduction - Ronda Arab (Simon Fraser University) and Laurie Ellinghausen (University of Missouri)Chapter 1 - 'As of Moors, so of chimney sweepers': Blackness, Race, and Class in George Chapman's May Day - Emily MacLeod (George Washington University)
Chapter 2 - Class, Race, and Gender in Adaptations of The Merchant of Venice - Peter Lewis (De Montfort University)
Chapter 3 - Working-Class Villains: Intersectionality and Othello in The Trump Zeitgeist - Timothy Francisco (Youngstown State University)
Chapter 4 - Erotic Possessions: Class, Race, and Land in Richard Brome's A Jovial Crew - Derrick Higginbotham (University of Hawai'i at Manoa)
Chapter 5 - Lieutenant Cutpurse: 'a very dangerous type and problematic for good government': Trans Rogues in Thomas Middleton and Thomas Dekker's The Roaring Girl and Juan Pérez de Montalbán's La Comedia Famosa de la Monja Alferez - Juan Lamata (California State University)
Chapter 6 - Class and Climate: Or, Redemption Comes to Pericles But Not to Spring - Sharon O'Dair (University of Alabama)
Chapter 7 - 'Impossible Matter': Humanity, Agency, and Timing in The Tempest - Daniel Vitkus (University of California)
Chapter 8 - Smug Servants, Politic Jesters, and Pet Fools - Paul Budra (Simon Fraser University)
Chapter 9 - Wench, Witch, Wife, Widow: Class and Classifying in The Witch of Edmonton - Laura Kolb (Baruch College - CUNY)
Chapter 10 - Confounding Relations: Shakespeare, Marlowe, the 'lowne' and Terms of Glossing - Stephen Spiess (Babson College)
Chapter 11 - Advancing Him, Subjecting Herself: Class, Gender, and Mixed Estate Marriages in
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Early Modern Drama - Kimberly Huth (California State University)
Chapter 12 - 'Too slight a thing': Jane Shore and Ideological Conflict in Thomas Heywood's Edward IV - Anna Ullmann (Bradley University)
Chapter 13 - Women's Shop Labor in the Royal Exchange: Intersections of Gender, Class, and Geography - Christi Spain-Savage (Siena College)
Chapter 14 - Counsel, Class, and Just War in Shakespeare's Henry V - Anne-Marie Walkowicz (Central State University)
Chapter 15 - Class Conflict and Sexual Violence in Early Modern English Drama: Seizing Patriarchal Privilege - Ronda Arab
Chapter 12 - 'Too slight a thing': Jane Shore and Ideological Conflict in Thomas Heywood's Edward IV - Anna Ullmann (Bradley University)
Chapter 13 - Women's Shop Labor in the Royal Exchange: Intersections of Gender, Class, and Geography - Christi Spain-Savage (Siena College)
Chapter 14 - Counsel, Class, and Just War in Shakespeare's Henry V - Anne-Marie Walkowicz (Central State University)
Chapter 15 - Class Conflict and Sexual Violence in Early Modern English Drama: Seizing Patriarchal Privilege - Ronda Arab
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Autoren-Porträt
Ronda Arab is Associate Professor of English at Simon Fraser University, Canada. She is the author of Manly Mechanicals on the Early Modern English Stage (2011) and The Bonds of Love and Friendship in Early Modern English Literature (2021), and co-editor of Historical Affects and the Early Modern Theater (2015).Laurie Ellinghausen is Professor of English at the University of Missouri-Kansas City, USA. Her previous publications include L abor and Writing in Early Modern England, 1567-1667 (2008) and Pirates, Traitors, and Apostates: Renegade Identities in Early Modern English Writing (2018). She is also the editor of Approaches to Teaching Shakespeare's English History Plays (2017).
Bibliographische Angaben
- 2023, 1st ed. 2023, XII, 275 Seiten, 1 farbige Abbildungen, Maße: 14,8 x 21 cm, Gebunden, Englisch
- Herausgegeben: Ronda Arab, Laurie Ellinghausen
- Verlag: Springer, Berlin
- ISBN-10: 3031355636
- ISBN-13: 9783031355639
Sprache:
Englisch
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