Theorizing Music Videos of the Late 2010s
A Prosumer's Study of a Medium
(Sprache: Englisch)
The work formulates a status quo of the music video medium in the late 2010s and shows which trends, aesthetics and (new) standards have established themselves. Particularly the role of the prosumer amidst evolved technical conditions is highlighted in this...
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Klappentext zu „Theorizing Music Videos of the Late 2010s “
The work formulates a status quo of the music video medium in the late 2010s and shows which trends, aesthetics and (new) standards have established themselves. Particularly the role of the prosumer amidst evolved technical conditions is highlighted in this context, which strongly influences the evolution of music video in this period. Moreover, the author understands music videos as socio-political actors and examines the resulting questions of their interaction with culture.
Inhaltsverzeichnis zu „Theorizing Music Videos of the Late 2010s “
Introduction.- Summarizing the research status.- Reconsidering contemporary music videos.- Prosuming a music video in the late 2010s.- What is music videos' cultural impact?.- Conclusion.
Autoren-Porträt von Leo Feisthauer
Leo Feisthauer is a musician, filmmaker, researcher and teacher based in Kassel, Germany. His work in both art and academia focuses on audiovisual studies and new media.Bibliographische Angaben
- Autor: Leo Feisthauer
- 2022, 1st ed. 2022, VIII, 181 Seiten, Maße: 14,8 x 21 cm, Kartoniert (TB), Englisch
- Verlag: Springer, Berlin
- ISBN-10: 3662650487
- ISBN-13: 9783662650486
Sprache:
Englisch
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